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The meaning of Jinapanjara is 'the armor of the Buddha'. Jinapanjara is the combination of two words, Jina meaning 'the winner', which is the Buddha, and Panjara meaning 'cage'. Thus, Jinapanjara means 'the cage (which is strong as a piece of armor) that can protect from any dangers and enemies'. [3]
Denpa music may also be conflated with various other musical genres, such as gamewave, bitpop, and chiptune music. [3] [6] Denpa is often characterized as cute and happy, since a large number of denpa music involves moe themes (which make denpa songs happy, cute, and fast-paced). However, this is not always the case, as they may also include ...
Musicians and dancer, Muromachi period Traditional Japanese music is the folk or traditional music of Japan. Japan's Ministry of Education classifies hōgaku (邦楽, lit. ' Japanese music ') as a category separate from other traditional forms of music, such as gagaku (court music) or shōmyō (Buddhist chanting), but most ethnomusicologists view hōgaku, in a broad sense, as the form from ...
Okinawan folk music differs from mainland Japanese folk music in several ways. Okinawan folk music is often accompanied by the sanshin , whereas in mainland Japan the shamisen accompanies instead. Other Okinawan instruments include the sanba (which produce a clicking sound similar to that of castanets ), taiko and a sharp finger whistle called ...
A variety of musical scales are used in traditional Japanese music. While the Chinese Shí-èr-lǜ has influenced Japanese music since the Heian period, in practice Japanese traditional music is often based on pentatonic (five tone) or heptatonic (seven tone) scales. [1] In some instances, harmonic minor is used, while the melodic minor is ...
Gunka (軍歌, lit. ' military song ') is the Japanese term for military music. While in standard use in Japan it applies both to Japanese songs and foreign songs such as "The Battle Hymn of the Republic", as an English language category it refers to songs produced by the Empire of Japan in between roughly 1877 and 1943.
Yamada's music during the 1920s and 1930s successfully avoided the pitfall of many contemporaneous Japanese composers, who created awkward hybrids in their attempts to bridge the gap between Western and Japanese music. [6] [10] His music is closer to Japanese melodic ideas, and eschews the formal structural relationships of Western harmony.
The literal translation of "ondo" is "sound head." Kanji, or the Chinese characters used in the Japanese language, often have literal and abstract meanings, here the kanji for "sound" (音-on) having a more abstract meaning of "melody" or "music," and the kanji for "head," (頭) having a more abstract meaning of "beat," "base pattern."