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Gian Gastone de' Medici (born Giovanni Battista Gastone; 25 May 1671 – 9 July 1737) was the seventh and last Medicean grand duke of Tuscany. He was the second son of Grand Duke Cosimo III and Marguerite Louise d'Orléans . [ 2 ]
Giuliano Dami (14 September 1683 – 5 April 1750) was the favourite and valet (Aiutante di Camera) of Gian Gastone de' Medici, Grand Duke of Tuscany (1723 – 1737). He is known for the "magnetic influence" [5] he exercised on the last Medici Grand Duke of Tuscany, and for his relationship with him.
Franz Ferdinand Richter, Gian Gastone de' Medici, Grand Duke of Tuscany, 1737 (Palazzo Pitti) Francesco Maria Veracini; engraving by John June, after a painting by Richter. Franz Ferdinand Richter (c.1693, Ebersdorf, near Breslau - after 1737, Florence) was a German Baroque painter who worked in Italy .
Gian Gastone with the new grand ducal crown, modified from the previous. When Cosimo III, Grand Duke of Tuscany (1670–1723) received the "right to royal rank" from Vienna, he added arches and a globe to the top of the grand ducal crown, as these were the typical elements of a royal crown.
Cosimo III de' Medici: 14 August 1642 – 31 October 1723 23 May 1670 – 31 October 1723 Marguerite Louise d'Orléans 17 April 1661 Louvre 3 children Medici: Son of Ferdinando II Gian Gastone de' Medici: 24 May 1671 – 9 July 1737 31 October 1723 – 9 July 1737 Anna Maria Franziska of Saxe-Lauenburg 2 July 1697 Düsseldorf no issue Medici ...
Download QR code; Print/export ... Gian is a given name of Italian origin. ... Gian Gastone de' Medici, Grand Duke of Tuscany; Gian Francesco Albani, ...
In an attempt to salvage Gian Gastone from shipwreck, Rinnuci tried to coerce Anna Maria Franziska to return to Florence, where Gian Gastone longed to be. [69] She blankly refused. Her confessor, hoping to keep her in Bohemia, regaled her with tales of the "poisoned" Eleanor of Toledo and Isabella Orsini, other Medici consorts.
Other sources say Handel was invited by Gian Gastone de' Medici, whom Handel had met in 1703–1704 in Hamburg. [3] De' Medici, who had a keen interest in opera, was trying to make Florence Italy's musical capital by attracting the leading talents of his day.