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The Conversion of Saint Bavo (1623-1624) by Rubens. The Conversion of Saint Bavo is an altarpiece by Peter Paul Rubens, dated 1623–1624. It was commissioned as the high altarpiece for Sint-Baafskathedraal in Ghent by bishop Antoon Triest (1577–1657). It is still sited in the cathedral.
The Saint Stephen Triptych is a 1616–1617 oil on panel painting by Peter Paul Rubens, produced as the high altarpiece for Saint-Amand Abbey, a Benedictine house near Valenciennes. It was seized during the French Revolution and is now in the Musée des Beaux Arts de Valenciennes .
The Ildefonso Altarpiece is a triptych painting by Peter Paul Rubens, dating to between 1630 and 1631. It is now in the Kunsthistorisches Museum , in Vienna . It is named after the central panel, which shows Saint Ildefonsus 's vision of the Virgin Mary , in which she gave him a casula .
The Adoration of the Magi is a painting of 1633–34 by the Flemish Baroque artist Peter Paul Rubens, made as an altarpiece for a convent in Louvain. It is now in King's College Chapel, Cambridge, in England. It measures 4.2 m × 3.2 m (13 ft 9 in × 10 ft 6 in).
Sir Peter Paul Rubens (/ ˈ r uː b ən z / ROO-bənz; [1] Dutch: [ˈpeːtər pʌul ˈrybəns]; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat. [2] He is considered the most influential artist of the Flemish Baroque tradition. Rubens' highly charged compositions reference erudite aspects of classical and Christian history.
The Tears of Saint Peter (El Greco, Mexico City) The Tears of Saint Peter (El Greco, Oslo) Tornabuoni Altarpiece; Transfiguration (Pordenone) Transfiguration (Raphael) Transfiguration (Rubens) Transfiguration (Savoldo) Třeboň Altarpiece; The Tribute Money. Peter Finding the Silver Coin in the Mouth of the Fish (Jordaens, National Gallery of ...
Christ and the Woman Taken in Adultery (Rubens) Christ Appointing Saint Roch as Patron Saint of Plague Victims; Christ Giving the Keys to Saint Peter (Rubens) Christ on the Cross (Rubens) Christ Triumphant over Sin and Death (Rubens) The Circumcision (Rubens) The Conversion of Saint Bavo; The Conversion of Saint Paul (Rubens, Berlin)
The side paintings are therefore turned toward the central panel with the venerated Madonna della Vallicella. Their placement directs the devotional gazes of Pope Gregory and Saint Domitilla toward the altar. [2] The paintings of the Chiesa Nuova are the only works Rubens made in Rome that remained in the original locations.