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After setting out the topic of a work and establishing the need for attention to be given, the speaker or author would digress to a seemingly disconnected subject before returning to a development of the composition's theme, a proof of its validity, and a conclusion. A schizothemia is a digression by means of a long reminiscence.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Hermeneutics – the theoretical underpinnings of interpreting texts, usually religious or literary. Heteroglossia – the use of a variety of voices or styles within one literary work or context. Homeoteleuton – a figure of speech where adjacent or parallel words have similar endings inside a verse, a sentence. Authors often use it to evoke ...
Derrida approaches texts as constructed around oppositions which all speech has to articulate if it intends to make any sense whatsoever. This is so because identity is viewed in non-essentialist terms as a construct, and because constructs only produce meaning through the interplay of differences inside a "system of distinct signs".
lit. "little leaf of paper": a periodical, or part of a periodical, consisting chiefly of non-political news and gossip, literature and art criticism, a chronicle of the latest fashions, and epigrams, charades and other literary trifles. fiancé(e) betrothed; lit. a man/woman engaged to be married. film noir
Epigraph: a quotation from another literary work that is placed under the title at the beginning of a poem or section of a poem. Hemistich : a half of a line of verse. Internal rhyme : a rhyme that occurs within a single line of verse, or between internal phrases across multiple lines.
Indeterminacy in literature is a situation in which components of a text require the reader to make their own decisions about the text's meaning. (Baldick 2008) This can occur if the text's ending does not provide full closure and there are still questions to be answered, or when "the language is such that the author’s original intention is not known".
Ultimately, Derrida perceives in Lévi-Strauss "a sort of ethic of presence, an ethic of nostalgia for origins, an ethic of archaic and natural innocence, of a purity of presence and self-presence in speech", arguing that "this structuralist thematic of broken immediateness is thus the sad, negative, nostalgic, guilty, Rousseauist facet of the ...