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Reviews for Shadows and Light were positive. Writing for Rolling Stone, Stephen Holden called the album "a surprise and a triumph" and considered it "one of a handful of great live rock albums". [5] Holden praised Mitchell's backing band as "the finest ensemble that [she] has worked with", and called her vocal performance "exhilarating". [5]
The album's songs have a big contrast with the ones on their debut. While the majority of the songs on their debut album are upbeat with positive, lightweight lyrics, Shadows and Light features darker songwriting from the trio that deal with personal issues, such as the estrangement with their fathers ("Flesh and Blood", "All the Way from New ...
"You Won't See Me Cry" is a song by American pop music group Wilson Phillips from their second studio album, Shadows and Light (1992). The song was released on April 28, 1992, by SBK Records. It was released as the lead single from the album, reaching No. 1 in Canada and Finland, No. 18 in the United Kingdom, and No. 20 on the US Billboard Hot ...
The Asylum Albums (1972–1975) is a four-disc box set by Canadian singer-songwriter Joni Mitchell, released on September 23, 2022, ... "Shadows and Light" ...
Shadows and Light (Wilson Phillips album), a 1992 album by Wilson Phillips "Shadows and Light / The Truth Hurts", an episode of the animated series Yin Yang Yo! "Shadows and Light", a story from the Star Wars Tales comic-book series, collected in Star Wars Tales Volume 6
Shadows and Light is the seventh album released by Canadian country music singer Charlie Major. [1] [2] [3] The album was written entirely by Major, and includes a duet with Kim Mitchell ("Young at Heart"). [4]
Mingus received mixed-to-positive reviews from critics and peaked at number 17 in the US. "The Dry Cleaner from Des Moines" was released as a single to promote the album, but did not chart. Mitchell would tour to promote the album through 1979–80; performances from these concerts would be documented on the live album Shadows and Light (1980).
Shadows is Canadian singer Gordon Lightfoot's fourteenth studio album, released in 1982 on the Warner Bros. Records label. It peaked at #87 on the Billboard charts. The album marked another significant turning point in Lightfoot's musical evolution. He moves further away from his acoustic roots through greater use of synthesizers and electric ...