Search results
Results from the WOW.Com Content Network
The film, in beginning to answer such questions, presents a review of the distant past and takes an educated look into the future. The film features the story of David Sanchez, a young man with sickle cell disease. [6] He is first featured in the hospital, sharing his experience as he gets a red blood cell transfusion.
He found that the prevalence of sickle-cell trait (heterozygous condition) among people inhabiting coastal areas was higher than 20%. [8] At the time the highest record was 8% among African-Americans.) [ 10 ] He was posed with the question as to why such a deadly disease (in homozygous condition ) would be more prevalent in a localised area in ...
Weerasethakul further explained in an interview with Bangkok Post: "When you make a film about recollection and death, you realise that cinema is also facing death. Uncle Boonmee is one of the last pictures shot on film - now everybody shoots digital. It's my own little lamentation". [4]
This section deals with snuff films as seen in fictional movies. It starts with a chapter on the infamous 1976 film Snuff.Made by husband-and-wife team Michael Findlay and Roberta Findlay in 1971, it was left unreleased until 1976 when Allan Shackleton added a new ending, a scene depicting what was supposed to be the film crew for the preceding movie murdering one of the actresses.
The Asphyx, also known as Spirit of the Dead and The Horror of Death, is a 1972 British horror film/science fiction film directed by Peter Newbrook and starring Robert Stephens and Robert Powell. [1] [2] Asphyx refers to the Ancient Greek word asphyxía, meaning "lack of pulse", or English asphyxiation.
Pfizer bought Oxbryta, also known as voxelotor, as part of its $5.4 billion buyout of Global Blood Therapeutics in 2022. Pfizer is also discontinuing all studies and access programs related to the ...
Der Todesking (lit. ' The Death King ') is a 1990 German horror film directed by Jörg Buttgereit.This experimental-style movie, which does not use central characters, explores the topic of suicide and violent death in the form of seven episodes, each one attributed to one day of the week.
When first released in the United States, the film's English-language title was "The Age of Infidelity." The New York Times film critic Bosley Crowther panned the movie and its style, writing "Aside from the fact that Señor Bardem has not chosen an especially novel theme or given his treatment of it any new or surprising twist, he has actually confused it with weird plotting and a wild ...