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Each aspect of Vajrayoginī's form and mandala is designed to convey a spiritual meaning. For example, her brilliant red-colored body symbolizes the blazing of her tummo (candali) or "inner fire" of spiritual transformation as well as life force , blood of birth and menstrual blood. [9]
Often, Vajravarahi is conflated iconographically with Vajrayogini. She is sometimes called the 'two-faced' Vajrayogini ( shal nyi ma ) [ 7 ] because of the sow's head. The major iconographic differences are reflected in Vajravarahi's dancing posture and her sow's head symbol, while Vajrayogini is in a standing posture, has a damaru (drum) in ...
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Seeing one's body as the body of the deity which is a manifestation of the Dharmakaya; Seeing one's environment as the pure land or mandala of the deity; Perceiving one's enjoyments as the enjoyments of a Buddha, free from any attachment; Seeing one's actions as the supreme activities of a Buddha's ripening sentient beings
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Other forms of the deities are also known with varying numbers of limbs and features, such as a two armed version. According to the Buddhist Tantric scholar Abhayakaragupta, the deity's mandala is described thus: In the Samvara mandala there is a variegated lotus atop Mount Sumeru within an adamantine tent (vajrapañjara). Placed on it is a ...