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Nihonga (Japanese: 日本画) is a Japanese style of painting that uses mineral pigments, and occasionally ink, together with other organic pigments on silk or paper. The term was coined during the Meiji period (1868–1912) to differentiate it from its counterpart, known as Yōga (洋画) or Western-style painting.
The aesthetic language and conventions of these media have increasingly come to represent the totality of Japanese art and culture abroad as well; the aesthetic of kawaii, for example, originally was derived from traditional concepts within Japanese art dating back to the 15th century, [75] but was explored within popular manga and anime series ...
Ukiyo-e [a] (浮世絵) is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
The term "National Treasure" has been used in Japan to denote cultural properties since 1897. [1] The definition and the criteria have changed since the inception of the term. These paintings adhere to the current definition, and were designated national treasures when the Law for the Protection of Cultural Properties was implemented on June 9 ...
Painting has been an art in Japan for a very long time: the brush is a traditional writing and painting tool, and the extension of that to its use as an artist's tool was probably natural. Japanese painters are often categorized by what they painted, as most of them constrained themselves solely to subjects such as animals, landscapes, or figures.
There are also references showing a distinction within yamato-e between "women's painting" and "men's painting". This distinction is also much debated but the typical assumptions as to its meaning can be illustrated by works from each group discussed in the next two sections; both are famous masterpieces and National Treasures of Japan.
Thrown, combed tea bowl by Shōji Hamada. The concept of mingei (民芸), variously translated into English as "folk craft", "folk art" or "popular art", was developed from the mid-1920s in Japan by a philosopher and aesthete, Yanagi Sōetsu (1889–1961), together with a group of craftsmen, including the potters Hamada Shōji (1894–1978) and Kawai Kanjirō (1890–1966).
List of Cultural Properties of Japan – paintings (Tottori) List of Cultural Properties of Japan – paintings (Toyama) List of Cultural Properties of Japan – paintings (Yamagata) List of Cultural Properties of Japan – paintings (Yamaguchi) List of Cultural Properties of Japan – paintings (Yamanashi) Cypress screen attributed to Kanō Eitoku