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Rasgueado (also called Golpeado, [1] Rageo (spelled so or Rajeo), Rasgueo or Rasgeo in Andalusian dialect and flamenco jargon, or even occasionally Rasqueado) is a guitar finger strumming technique commonly associated with flamenco guitar music. It is also used in classical and other fingerstyle guitar picking techniques.
A flamenco guitar is a guitar similar to a classical guitar, but with lower action, [1] thinner tops and less internal bracing. It usually has nylon strings, like the classical guitar, but it generally possesses a livelier, more gritty sound compared to the classical guitar. [ 2 ]
Juan Martín is the author of several textbooks on flamenco playing, including El Arte Flamenco de la Guitarra, [11] issued with cassette tapes and later with vinyl sound sheets, and Solos Flamencos issued with CDs and DVDs. Both tutorial books, printed in English and Spanish, are successful in the English-speaking world.
The more modern forms are accompanied by the guitar, where the nuances of the cante make it one of the most difficult styles to accompany and interpret. [ 8 ] Traditionally, the verses of siguiriyas are constructed of two short 6 syllable lines, followed by a longer 11 syllable line, then ending with another 6 syllable line, the rhythm being ...
A guitarist usually performs golpe with the middle or annular (ring) finger, either simultaneously with a down-stroke by another finger (e.g., simultaneous down-stroke with index finger and golpe with annular finger), or independently to accent off beats.
Óscar Herrero is a Flamenco guitarist from Spain. He was born in Tomelloso ( Ciudad Real ) on 12 March 1959. Oscar Herrero has authored several flamenco guitar teaching DVDs and didactic textbooks.
Michael Laucke (/ ˈ l ɑː k /; 29 January 1947 – 2 December 2021) was a Canadian classical, new flamenco and flamenco guitarist and composer. Starting at the age of thirteen, Laucke gave professional snooker demonstrations and his winnings allowed him to take trips from Montreal to New York City to study the classical guitar with Rolando Valdés-Blain.
In one of these performances at the Persian Room, Escudero tripped on someone´s foot, falling on top of his guitar, smashing it beyond repair. Escudero got up, went back stage, got a replacement guitar, and returned to complete the show to a standing ovation. [35] In 1956, Escudero made four records: "Mario Escudero and his flamenco guitar" [36]
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