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The title of the painting is spelled in Italian as Monna Lisa (mona being a vulgarity in Italian), which is rare in English, [21] [22] [23] where it is traditionally spelled Mona. [ 24 ] Lisa del Giocondo was a member of the Gherardini family of Florence and Tuscany , and the wife of wealthy Florentine silk merchant Francesco del Giocondo. [ 25 ]
A version of the Mona Lisa known as the Isleworth Mona Lisa and the Earlier Mona Lisa was first bought by an English nobleman in 1778 and was rediscovered in 1913 by Hugh Blaker, an art connoisseur. The painting was presented to the media in 2012 by the Mona Lisa Foundation. [13]
While Pizzorusso is not the first to have theorized on the location of the Mona Lisa (in 2011, an art historian attributed the painting’s scenery to a small town called Bobbio, while another to ...
The technique in this portrait and in the "Mona Lisa" is called "sfumato," in which da Vinci blended colors and shades to get gradual transitions between different shapes in each painting.
Mona Lisa, by Leonardo da Vinci, Louvre Museum The 16th-century portrait Mona Lisa, or La Gioconda (La Joconde), painted in oil on a poplar panel by Leonardo da Vinci, has been the subject of a considerable deal of speculation. Columns and trimming Early copy of the Mona Lisa at the Walters Art Gallery, Baltimore, showing columns on either side of the subject It has for a long time been argued ...
A new study found a rare compound called plumbonacrite within the “Mona Lisa,” suggesting Leonardo da Vinci may have been the first to use a technique previously found in later paintings.
Konody observed of the Isleworth subject that "[t]he head is inclined at a different angle". [29] Physicist John F. Asmus, who had previously examined the Mona Lisa in the Louvre and investigated other works by Leonardo, published a computer image processing study in 1988 concluding that the brush strokes of the face in the painting were performed by the same artist responsible for the brush ...
The use of this lead oxide powder to thicken and dry the Mona Lisa’s base layer was likely a fresh approach to painting in the early 1500s, but one that became common practice.