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The lautenwerck (also spelled lautenwerk), alternatively called lute-harpsichord (lute-clavier) or keyboard lute, is a European keyboard instrument of the Baroque period. It is similar to a harpsichord , but with gut (sometimes nylon ) rather than metal strings (except for the 4-foot register on some instruments), producing a mellow tone.
It is also an accompanying instrument in vocal works. The lute player either improvises ("realizes") a chordal accompaniment based on the figured bass part, or plays a written-out accompaniment (both music notation and tablature ("tab") are used for lute). As a small instrument, the lute produces a relatively quiet sound. The player of a lute ...
Pages in category "Lute family instruments" The following 29 pages are in this category, out of 29 total. This list may not reflect recent changes. ...
Huygens had the lute sent to him on approval, but did not buy it. In 1649 Charles I gave Gaultier another Laux Maler lute, formerly belonging to the royal lutenist John Ballard. Gaultier offered this lute to Huygens, and sent it to The Hague but could not secure an expert recommendation for it from their mutual friend Mary Woodhouse .
Lutes are stringed musical instruments that include a body and "a neck which serves both as a handle and as a means of stretching the strings beyond the body". [1]The lute family includes not only short-necked plucked lutes such as the lute, oud, pipa, guitar, citole, gittern, mandore, rubab, and gambus and long-necked plucked lutes such as banjo, tanbura, bağlama, bouzouki, veena, theorbo ...
[1] [2] All of the instruments of the ancient Greek lyre family were played by strumming the strings, but modern African lyres are most often plucked; a few yoke lutes are played with a bow. [ 2 ] The sound box can be either bowl-shaped (321.21) or box-shaped (321.22).
The first mention of a theorbo in France was in 1637, and by the 1660s it had replaced the 10-course lute as the most popular accompanying instrument. [3] The theorbo was a very important continuo instrument in the French court and multiple French theorbo continuo tutors (method books) were published by Delair (1690), Campion (1716 and 1730 ...
Unlike the sharp corner joining the body to the neck seen in the lute, the gittern's body and neck either joined in a smooth curve or straight line. The sickle, or occasional gentle arc pegbox, made an angle with the neck of between 30 and 90 degrees. Unlike the lute, most pegboxes on gitterns ended in a carving of a human or animal head.