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Sound Affects is the fifth studio album by English rock band the Jam.The album was released on 28 November 1980 by Polydor Records.It is the only Jam album to be co-produced by the band themselves, and contains the only album track co-written by the entire band, "Music for the Last Couple".
The Sound of the Jam: Released: 21 May 2002; Label: Polydor Records; 3 — 75 — BPI: Gold [22] About the Young Idea: The Very Best of The Jam [23] Released: 30 June 2015; Label: Universal; 36 — — — "—" denotes albums that did not chart or were not released in given country.
Around this time, the Jam slimmed their team of two producers to one, Vic Coppersmith-Heaven, who helped develop the group's sound. [29] In November, the Jam released their third LP, All Mod Cons. The twelve tracks included three of the tracks previously released as singles ("David Watts", "'A' Bomb In Wardour Street", and "Down in the Tube ...
The Sound of the Jam is a compilation album and the fifth greatest hits album by the group The Jam, released to mark their twenty-fifth anniversary.It contains a remixed version of 'That's Entertainment', featuring only the guitars and vocals of the demo version; and without the bass, drums and percussion.
"That's Entertainment" is a 1980 song by British punk-mod revivalist group the Jam from their fifth album, Sound Affects. Although never released as a domestic single in the UK during the band's lifetime, "That's Entertainment" nonetheless charted as an import single (backed by a live version of "Down in the Tube Station at Midnight"), peaking at No. 21. [1]
Fire & Skill: The Songs of the Jam is a compilation album of hit songs written by The Jam.Each track on the album was performed by a different artist or band. Buffalo Tom singer/guitarist Bill Janovitz was surprised to have the chance to do "Going Underground", saying that his band usually had to be content with doing also-ran songs on compilations such as this.
The Gift is the sixth and final studio album by the English rock band the Jam. It was originally released on 12 March 1982 by Polydor as the follow-up to the Jam's critically and commercially successful studio album Sound Affects (1980). The songs were largely recorded during 1981 to 1982, at George Martin's AIR Studios, assisted by Peter Wilson.
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