Search results
Results from the WOW.Com Content Network
Even so, Johannes Brahms still felt the need to rewrite his C-sharp minor piano quartet in C minor, which was published as Piano Quartet No. 3 in C minor, Op. 60. [citation needed] The last intermezzo from his Three Intermezzi for piano, Op. 117 is in C-sharp minor. Alkan composed the second movement (Adagio) for Concerto for Solo Piano in C ...
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
Claude Debussy's Suite bergamasque does this: in the third movement "Clair de lune" the key shifts from D-flat major to D-flat minor (eight flats) for a few measures but the passage is notated in C-sharp minor (four sharps); the same happens in the final movement, "Passepied", in which a G-sharp major section is written as A-flat major.
These notes correspond to the white keys on the keyboard of a piano. A key signature with no sharps or flats generally indicates A minor or C major, using all natural notes with no sharps or flats. The natural sign is derived from a square b used to denote B ♮ in medieval music (in contrast with the round b denoting B ♭, which became the ...
Chopin's Prelude No. 15, known as the "Raindrop Prelude", features a pedal point on the note A ♭ throughout its opening section. Chopin Prelude No. 15, opening. In the middle section, these are changed to G ♯ s as the key changes to C-sharp minor. This is primarily a notational convenience, since D-flat minor would require many double-flats ...
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
A "raised 7th" is also a strong indication of a minor scale (instead of a major scale): For example, C major and A minor both have no sharps or flats in their key signatures, but if the note G ♯ (the seventh note in A minor raised by a semitone) occurs frequently in a melody, then this melody is likely in A harmonic minor, instead of C major.
The order of sharps in key signature notation is F ♯, C ♯, G ♯, D ♯, A ♯, E ♯, B ♯. Starting with no sharps or flats (C major), adding the first sharp (F ♯) indicates G major, adding the next (C ♯) indicates D major, and so on through the circle of fifths.