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A talisman related to Tezcatlipoca was a disc worn as a chest pectoral, called the anahuatl. [3] This talisman was carved out of abalone shell and depicted on the chest of both Huitzilopochtli and Tezcatlipoca in codex illustrations. [4] [5] The origins of Tezcatlipoca can be traced to earlier Mesoamerican deities worshipped by the Olmec and Maya.
In the Late Postclassic (c. 1200–1521) obsidian came to be the stone of preference for fashioning mirrors in Central Mexico. [6] Broken pieces of raw obsidian were likely to have been used as mirrors as far back as the Preclassic but obsidian was not commonly ground and polished to manufacture mirrors until this period. [6]
Obsidian projectile point.. Obsidian is a naturally formed volcanic glass that was an important part of the material culture of Pre-Columbian Mesoamerica.Obsidian was a highly integrated part of daily and ritual life, and its widespread and varied use may be a significant contributor to Mesoamerica's lack of metallurgy.
Lesser quantities of obsidian originated from other sources such as Tajumulco, Ixtepeque and Pachuca. [32] Obsidian is a natural volcanic glass that was used across Mesoamerica to make durable tools and weapons including knives, spearheads, arrowheads, bloodletters for ritual autosacrifice, prismatic blades for woodwork and many other day-to ...
Black Tezcatlipoca is Tezcatlipoca, and he was generally represented with a stripe of black paint across his face and an obsidian mirror in place of one of his feet. The post-Classic (after ad 900) Maya-Quiche people of Guatemala revered him as a lightning god under the name Hurakan ("One Foot").
The mysterious globes lay in both the north and south chambers. Ranging from 40 to 130 millimetres, the balls have a core of clay and are covered with a yellow jarosite formed by the oxidation of pyrite. According to George Cowgill from Arizona State University, "Pyrite was certainly used by the Teotihuacanos and other ancient Mesoamerican ...
Rust (2008) discovered "urn burials" in Complex E (residential area) where fragments of bone and teeth were buried in clay pots. "The fill immediately around this large urn was clean, yellow sand, and the urn was covered with an inverted fine-paste orange bowl with flaring walls; the bowl's interior was painted red and incised with the double ...
The source of obsidian for cultures inhabiting the territory of and around Greece was the island of Milos; the Starčevo–Körös–Criș culture obtained obsidian from sources in Hungary and Slovakia, while the Cardium-Impresso cultural complex acquired obsidian from the island outcrops of the central Mediterranean.