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"All Blues" is a jazz composition by Miles Davis first appearing on the influential 1959 album Kind of Blue. It is a twelve-bar blues in 6 8; the chord sequence is that of a basic blues and made up entirely of seventh chords, with a ♭ VI in the turnaround instead of just the usual V chord.
Kind of Blue is a studio album by the American jazz trumpeter and composer Miles Davis.It was released on August 17, 1959, by Columbia Records.For the recording, Davis led a sextet featuring saxophonists John Coltrane and Julian "Cannonball" Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb, with new band pianist Wynton Kelly replacing Evans on one track, "Freddie ...
Ballads and Blues is a compilation album by the American jazz musician Miles Davis. It was released on March 19, 1996, by Columbia Records and recorded from March 9, 1950, to March 9, 1958. Track listing
Miles Davis was an American trumpeter, bandleader and musical composer.His discography consists of at least 60 studio albums and 39 live albums, as well as 46 compilation albums, 27 box sets, 4 soundtrack albums, 57 singles and 3 remix albums.
"So What" is the first track on the 1959 album Kind of Blue by American trumpeter Miles Davis. It is one of the best-known examples of modal jazz, set in the Dorian mode and consisting of 16 bars of D Dorian, followed by eight bars of E ♭ Dorian and another eight of D Dorian. [1]
Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music.
Densmore is readying an electro-acoustic jazz album with Miles Davis keyboardist Adam Holzman (“son of Jac, who signed us to Elektra”), and his self-anointed “alt-hip-hop” project with ...
"Freddie Freeloader" is a composition by Miles Davis and is the second track on his 1959 album Kind of Blue. The piece takes the form of a twelve-bar blues in B ♭, but the chord over the final two bars of each chorus is an A ♭ 7, not the traditional B ♭ 7 followed by either F7 for a turnaround or some variation of B ♭ 7 for an ending.