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9 to 5: The Musical is a musical based on the 1980 film of the same name, with music and lyrics by Dolly Parton. It features a book by Patricia Resnick , based on the screenplay by Resnick and Colin Higgins .
"9 to 5" is a song written and recorded by American entertainer Dolly Parton for the 1980 comedy film 9 to 5. In addition to appearing on the film's soundtrack , the song was the centerpiece and opening track of Parton's album 9 to 5 and Odd Jobs , released in late 1980.
9 to 5 (titled Nine to Five in the opening credits) is a 1980 American comedy film directed by Colin Higgins, who wrote the screenplay with Patricia Resnick, and starring Jane Fonda, Lily Tomlin, Dolly Parton, Dabney Coleman, Elizabeth Wilson, and Sterling Hayden. It tells the story of three working women who live out their fantasies of getting ...
With a score written by Parton that built upon her title song from the “9 to 5” soundtrack, the musical opened on Broadway in 2009 with Allison Janney, Stephanie J. Block and Megan Hilty, but ...
Dolly Parton has revealed the song she is “most proud” of – and it’s not “Jolene” or “9 to 5”.. The country music legend is preparing to release her latest album, Smoky Mountain ...
Since the score of a Broadway or film musical is what actually makes the work a musical, it is far more essential to the work than mere incidental music, which nearly always amounts to little more than a background score; indeed, many plays have no incidental music whatsoever. Some early examples of what were later called incidental music are ...
9 to 5 is the soundtrack album to the 1980 film of the same name. It was released on December 8, 1980, by 20th Century Fox Records . The album features selections from the score by Charles Fox and the theme song, " 9 to 5 ", written and recorded by Dolly Parton .
Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, [1] [2] although examples became more common in the nineteenth century. [3]