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The Hindi–Urdu controversy arose in 19th-century colonial India out of the debate over whether Modern Standard Hindi or Standard Urdu should be chosen as a national language. Hindi and Urdu are mutually intelligible as spoken languages, to the extent that they are sometimes considered to be dialects or registers of a single spoken language ...
Like most contemporary Indian writers, Ugra was committed to promoting both social reform and Indian independence from the British Empire. [5] In the words of Ruth Vanita, "he delighted in iconoclasm; few writers of the time match his unsentimental depictions of the family, whether urban or rural, as a hotbed of violence, neglect, hatred, sexual depravity, and oppression"; [6] "his fiction ...
The proclamation of Sindhi as the official language of Sindh caused the Daily Jang, an Urdu language newspaper in Karachi, to publish a full-page story on their front page surrounded by a banner with the statement "Urdu ka janaza hai zara dhoom se nikle" (It is the funeral of Urdu thus should be a flaunting one) by Rais Amrohvi. [2] [3]
Akhtar Husain (1912-1992, [1] Urdu: اختر حسین) also known as Dr Akhtar Husain Raipuri [2] was a Pakistani scholar, journalist and lexicographer. [1] He is also the author of the book The Dust of the Road: A Translation of Gard-e-Raah that was translated into English by Amina Azfar many years after his death.
Lajja is a response of Taslima Nasrin to anti-Hindu riots that erupted in parts of Bangladesh, soon after the demolition of Babri Masjid in India on 6 December 1992. The book subtly indicates that communal feelings were on the rise, the Hindu minority of Bangladesh was oppressed, and secularism was under shadow.
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language.While it tends to be dominated by poetry, especially the verse forms of the ghazal (غزل) and nazm (نظم), it has expanded into other styles of writing, including that of the short story, or afsana (افسانہ).
Violence in literature refers to the recurrent use of violence as a storytelling motif in classic and contemporary literature, both fiction and non-fiction. [1] Depending on the nature of the narrative, violence can be represented either through graphic descriptions or psychological and emotional suffering.
The Progressive Writers' Association or the Progressive Writers' Movement of India or Anjuman Tarraqi Pasand Mussanafin-e-Hind (Urdu: انجمن ترقی پسند مصنفینِ ہند) or Akhil Bhartiya Pragatishil Lekhak Sangh (Hindi: अखिल भारतीय प्रगतिशील लेखक संघ) was a progressive literary movement in pre-partition British India.