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The fortepiano has leather-covered hammers and thin, harpsichord-like strings.It has a much lighter case construction than the modern piano and, except for later examples of the early nineteenth century (already evolving towards the modern piano), it has no metal frame or bracing.
Fortepiano by Paul McNulty after Walter & Sohn, ca. 1805. The earliest pianos by Cristofori (ca. 1700) were lightweight objects, hardly sturdier in framing than a contemporary harpsichord, with thin strings of low tensile strength iron and brass and small, lightweight hammers.
Occasionally, harpsichords were built which included another set or sets of strings underneath and played by foot-operated pedal keyboard which trigger the plucking of the lowest-pitched keys of the harpsichord. Although there are no known extant pedal harpsichords from the 18th century or before, from Adlung (1758): the lower set of usually 8 ...
In the action of a tangent piano, the tangent is a small slip of wood similar in shape to a harpsichord jack or similar to an unleathered fortepiano hammer which strikes the string to produce sound. It is similar to the tangent of a clavichord only in the sense that they both are driven ultimately by the player's finger to strike the string to ...
Harpsichord. Clavicymbalum; Lautenwerck; Hurdy-gurdy; Marxophone; Piano. Fortepiano; Tangent piano; Xenorphica; Additionally, members of the harpsichord and piano families may also use alternative setups to make the instruments more compact: Portable Folding harpsichord; Orphica; Spinets. Oval spinet; Square Square piano; Virginals; Uprights ...
This lists the sonatas for solo keyboard (originally intended for harpsichord, clavichord, or fortepiano) by Domenico Scarlatti. The list can be sorted by any of the four sets of catalogue numbers: K: Ralph Kirkpatrick (1953; sometimes Kk. or Kp.) L: Alessandro Longo (1906) P: Giorgio Pestelli (1967) CZ: Carl Czerny
Walter Leigh - Concertino for Harpsichord and String Orchestra (1934) Bohuslav Martinů - Harpsichord Concerto, H. 246 (1935) Maria Herz - Concerto for Cembalo (or Pianoforte) with String Orchestra & flute op. 15 (1935) Ned Rorem - Concertino da camera for Harpsichord and Seven Instruments (1946) [5] Frank Martin - Harpsichord Concerto (1951–52)
What primarily distinguishes the spinet is the angle of its strings: whereas in a full-size harpsichord, the strings are at a 90-degree angle to the keyboard (that is, they are parallel to the player's gaze); and in virginals they are parallel to the keyboard, in a spinet the strings are at an angle of about 30 degrees to the keyboard, going ...
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