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Symphonie fantastique: Épisode de la vie d'un artiste … en cinq parties (Fantastic Symphony: Episode in the Life of an Artist … in Five Sections) Op. 14, is a programmatic symphony written by Hector Berlioz in 1830. The first performance was at the Paris Conservatoire on 5 December 1830.
Berlioz, Hector. 1899. Episode de la vie d'un artiste: Symphonie fantastique en 5 parties, op. 14. Eulenburgs kleine Partitur-Ausgabe Nr. 422. Leipzig: Ernst Eulenburg. Boyden, David D. 2001. "Col legno". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
Nearly four thousand of Berlioz's letters have been preserved Hector Berlioz, Correspondance Générale I: 1803 – May 1832 [nos. 1–273], ed. by Pierre Citron (1972) Hector Berlioz, Correspondance Générale II: June 1832 – September 1842 [nos. 274–775], ed. by Frédéric Robert (1975)
Berlioz by August Prinzhofer, 1845. Louis-Hector Berlioz [n 1] (11 December 1803 – 8 March 1869) was a French Romantic composer and conductor. His output includes orchestral works such as the Symphonie fantastique and Harold in Italy, choral pieces including the Requiem and L'Enfance du Christ, his three operas Benvenuto Cellini, Les Troyens and Béatrice et Bénédict, and works of hybrid ...
Harold en Italie, symphonie avec un alto principal (Harold in Italy, symphony with viola obbligato), as the manuscript describes it, is a four-movement orchestral work by Hector Berlioz, his Opus 16, H. 68, written in 1834. Throughout, the unusual viola part represents the titular protagonist, without casting the form as a concerto.
Category: Symphonies by Hector Berlioz. 5 languages. Čeština; ... Symphonie fantastique This page was last edited on 19 January 2024, at 13:49 (UTC). ...
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A musical example of such irony can be found in the last movement of the Symphonie fantastique by Hector Berlioz which quotes the medieval (Gregorian) Dies Irae (Day of Judgment) melody in a shockingly modernistic manner. In 1830 Liszt attended the first performance of the symphony and was struck by its powerful originality.