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The Stabat Mater is a 13th-century Christian hymn to the Virgin Mary that portrays her suffering as mother during the crucifixion of her son Jesus Christ. Its author may be either the Franciscan friar Jacopone da Todi or Pope Innocent III .
Stabat Mater (Latin for "the mother was standing") is a compositional form in the crucifixion of Jesus in art depicting the Virgin Mary under the cross during the crucifixion of Christ alongside John the apostle. Rood cross group, Church of St Mary, Gdansk. It is common in groups of sculpture on a rood screen, and in paintings.
Stabat Mater for solo alto and orchestra, RV 621, is a composition by the Italian baroque composer Antonio Vivaldi on one of the Sorrows of Mary. It was premiered in Brescia in 1712. [ 1 ]
Stabat Mater for solo alto and orchestra, RV 621, is a composition by the Italian baroque composer Antonio Vivaldi on one of the Sorrows of Mary. It was premiered around 1712 Items portrayed in this file
Stabat Mater (P.77) [1] is a musical setting of the Stabat Mater sequence, composed by Giovanni Battista Pergolesi in 1736. [2] Composed in the final weeks of Pergolesi's life, [3] it is scored for soprano and alto soloists, violin I and II, viola and basso continuo. The autograph manuscript of the work is preserved in the Benedictine Abbey of ...
English: Haydn Stabat Mater, rehearsal at Limburg Cathedral, tenor section, Judith Kunz conducting Domchor Limburg, Mädchenkantorei Limburg, Domorchester, members of Chor St. Martin Idstein, Martinis Idstein, Kantorei Dillenburg and project singers from the diocese, for concert as a conclusion for Kreuzfest
Stabat Mater by Alessandro Scarlatti is a religious musical work composed for two voices (soprano/alto), two violins and basso continuo, in 1724, on a commission from the Order of Friars Minor, the "Knights of the Virgin of Sorrows" of the Church of San Luigi in Naples [1] for Lent
The Stabat Mater is divided into twelve movements, [5] which vary dramatically in character from somber to light and frivolous, even on the most serious of texts. All the movements, though, are relatively brief; Robert Shaw's Telarc recording runs just under 30 minutes, with the longest movement taking just over four minutes.