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The Eolian Harp is a poem written by Samuel Taylor Coleridge in 1795 and published in his 1796 poetry collection. It is one of the early conversation poems and discusses Coleridge's anticipation of a marriage with Sara Fricker along with the pleasure of conjugal love .
A poem Which Affects Not to be Poetry. [23] Reflections was included in Coleridge's 28 October 1797 collection of poems and the anthologies that followed. [22] The themes of Reflections are similar to those of The Eolian Harp. They are set in the same location, and both describe Coleridge's relationship with his wife and sexual desire. [24]
When Coleridge's Poems on Various Subjects was reviewed, few reviewers paid attention to Lines Written at Shurton Bars. [15] John Aikin, in the June 1796 Monthly Review, states, "The most of [the 'poetical Epistles'], addressed to his 'Sara', is rather an ode, filled with picturesque imagery: of which the follow stanzas [lines 36–60] compose a very striking sea-piece". [16]
To a Friend [Charles Lamb] who had declared his intention of writing no more Poetry "Dear Charles! whilst yet thou wert a babe, I ween" 1796 1800 Ode to the Departing Year "Spirit who sweepest the wild Harp of Time!" 1796 1796, December 31 The Raven. [MS. S. T. C.] A Christmas Tale, Told by a School-boy to his little brothers and sisters.
It is such lyrics and conversation poems as "The Eolian Harp" and "Lines Written at Shurton Bars" that are seen as prefiguring the great works of Coleridge's maturity. [7] [36] [37] Lawrence Hanson, for example, wrote that these "are saved by their spontaneity and lightness from the confusion of overmuch thought. They contain hints of the ...
Like his earlier poem The Eolian Harp, it discusses Coleridge's understanding of nature and his married life, which was suffering from problems that developed after the previous poem. Overall, the poem focuses on humanity's relationship with nature in its various aspects, ranging from experiencing an Edenic state to having to abandon a unity ...
It is certainly plain compared to 'Religious Musings' and his other declamatory poems, and yet the tone is versatile, modulating from the conversational and the chatty into something unusually arresting." [5] In the 21st century, Adam Sisman declared that the poem "was a further development of the new style he had initiated in 'The Eolian Harp ...
Samuel Taylor Coleridge (/ ˈ k oʊ l ə r ɪ dʒ / KOH-lə-rij; [1]) (21 October 1772 – 25 July 1834) was an English poet, literary critic, philosopher, and theologian who was a founder of the Romantic Movement in England and a member of the Lake Poets with his friend William Wordsworth.