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This is from the auction catalogue description of an African wood figure: [8] There is extensive insect loss in the proper right leg, some at the proper right elbow, and at the fronts of both feet. There is a chip off the proper right breast, and the proper right leg was broken off and reglued. Describing an Indian sculpture: [9]
In geometry, the mirror image of an object or two-dimensional figure is the virtual image formed by reflection in a plane mirror; it is of the same size as the original object, yet different, unless the object or figure has reflection symmetry (also known as a P-symmetry).
Parallelism is another way to disambiguate the figure of an image. The orientation of the contours of different textures in an image can determine which objects are grouped together. Generally, parallel contours suggest membership to the same object or group of objects. Similarly, symmetry of the contours can also define the figure of an image. [6]
Image quality can be assessed using objective or subjective methods. In the objective method, image quality assessments are performed by different algorithms that analyze the distortions and degradations introduced in an image. Subjective image quality assessments are a method based on the way in which humans experience or perceive image quality.
A caption is a short descriptive or explanatory text, usually one or two sentences long, which accompanies a photograph, picture, map, graph, pictorial illustration, figure, table or some other form of graphic content contained in a book or in a newspaper or magazine article. [1] [2] [3] The caption is usually placed directly below the image.
For photo interpretation, it is preferred that the image is taken so that the shadows can be clearly observed [2] as shadows can highlight the relief of the topography. [2] This orientation of the image also helps geologists link the 3D pictures to what they observe. [2] Figure 10: This diagram shows the position of the Sun (south).
Semiotics of photography is the observation of symbolism used within photography or "reading" the picture. This article refers to realistic, unedited photographs not those that have been manipulated in any way. Roland Barthes was one of the first people to study the semiotics of images. He developed a way to understand the meaning of images.
The first permanent photograph, a contact-exposed copy of an engraving, was made in 1822 using the bitumen-based "heliography" process developed by Nicéphore Niépce.The first photographs of a real-world scene, made using a camera obscura, followed a few years later at Le Gras, France, in 1826, but Niépce's process was not sensitive enough to be practical for that application: a camera ...