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In 1760, Cabrera created The Virgin of the Apocalypse, which describes the chapter 12 of the Book of Revelation. [12] He is also known for his posthumous portrait of the seventeenth-century poet Sor Juana Inés de la Cruz. Cabrera is currently most famous for his casta paintings.
The Four Horsemen of the Apocalypse are depicted in the painting. Depicted from right to left are Conquest, War, Famine, and Death. Study. Four Horsemen of the Apocalypse (Russian: "Воины Апокалипсиса") is an 1887 painting by Russian artist Viktor Vasnetsov.
Ende worked on the 10th-century codex known as the Gerona Beatus, [5] along with the monk Emeterius. The codex features the Commentary on the Apocalypse by the Spanish monk Beatus of Liébana, of which 26 illustrated copies are known to exist, paired with Jerome's commentary on the Book of Daniel. [1]
Pages in category "Paintings based on the Book of Revelation" The following 17 pages are in this category, out of 17 total. ... Four Horsemen of the Apocalypse ...
Lionheaded Fire-Breathing Horses (Rev. 9:16–19), Saint-Sever Beatus. [1]Beatus of Liébana (Spanish: Beato; c. 730 – c. after 785) was a monk, theologian, and author of the Commentary on the Apocalypse, mostly a compendium of previous authorities' views on the biblical Book of Revelation or Apocalypse of John.
The Horsemen of the Apocalypse, in a woodcut by Albrecht Dürer (c. 1497–1498.), ride forth as a group, with an angel heralding them, to bring Death, Famine, War, and Conquest unto man. [70] Four Horsemen of the Apocalypse, Saint-Sever Beatus, 11th century.
It is also used in the Spanish Army to designate personnel belonging to the cavalry arm. In its original Spanish title The Four Horsemen of the Apocalypse by Vicente Blasco Ibáñez is Los Cuatro Jinetes del Apocalipsis. Canción de jinete is a poem by Federico García Lorca. [10] The novel El jinete polaco by Antonio Muñoz Molina was ...
The Apocalypse, properly Apocalypse with Pictures (Latin: Apocalipsis cum figuris; German: Die heimliche Offenbaru[n]g ioh[an]nis), [1] is a 1498 printed book by Albrecht Dürer containing fifteen woodcuts accompanied by text. The book depicts scenes from the Book of Revelation, and rapidly brought Dürer fame across Europe. [2]