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Eaters of the Dead: The Manuscript of Ibn Fadlan Relating His Experiences with the Northmen in AD 922 (later republished as The 13th Warrior to correspond with the film adaptation of the novel) is a 1976 novel by Michael Crichton, the fourth novel under his own name and his 14th overall.
The 13th Warrior is a 1999 American historical fiction action film based on Michael Crichton's 1976 novel Eaters of the Dead, [5] which is a loose adaptation of the tale of Beowulf combined with Ahmad ibn Fadlan's historical account of the Volga Vikings. It stars Antonio Banderas as Ahmad ibn Fadlan, as well as Diane Venora and Omar Sharif.
Ahmad ibn Fadlan ibn al-Abbas al-Baghdadi (Arabic: أحمد بن فضلان بن العباس بن راشد بن حماد, romanized: Aḥmad ibn Faḍlān ibn al-ʿAbbās al-Baghdādī) was a 10th-century traveler from Baghdad, Abbasid Caliphate, [a] famous for his account of his travels as a member of an embassy of the Abbasid caliph, al-Muqtadir of Baghdad, to the king of the Volga Bulgars ...
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Ammit (/ ˈ æ m ɪ t /; Ancient Egyptian: ꜥm-mwt, "Devourer of the Dead"; also rendered Ammut or Ahemait) was an ancient Egyptian goddess [2] [clarification needed] with the forequarters of a lion, the hindquarters of a hippopotamus, and the head of a crocodile—the three largest "man-eating" animals known to ancient Egyptians.
Crichton's 1976 novel Eaters of the Dead featured relict Neanderthals as antagonists. In 1975, Crichton wrote The Great Train Robbery, which would become a bestseller. The novel is a recreation of the Great Gold Robbery of 1855, a massive gold heist, which takes place on a train traveling through Victorian era England. A considerable portion of ...
Eaters of the Dead [24] 1976 Michael Crichton: A small Neanderthal population in Northern Europe is the source of the battles recorded in Beowulf. This story was also the basis for a motion picture The 13th Warrior (1999), though the word "Neanderthals" was never mentioned in the movie. Dance of the Tiger: 1981 Björn Kurtén
However, in order to assist the dead, most tombs were decorated with texts meant to help guide the deceased's soul to the afterlife, something that was attainable to all. [5] It was believed that a false door was a threshold between the worlds of the living and the dead and through which a deity or the spirit of the deceased could enter and ...