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Ju-On was given a limited theatrical release by Solar Films in the Philippines on 26 November 2003. [6] The film received a limited theatrical release in the United States on 23 July 2004. [7] In the United States, the film grossed a total of $325,680 from 23 July – 9 December 2004. [8] Ju-on: The Grudge was released on DVD by Lions Gate on 9
The film, titled Ju-On: The Grudge, was released on October 18, 2002, to critical acclaim, and was followed by a sequel, Ju-On: The Grudge 2, that was released on August 23, 2003. The rights to an American film remake of The Grudge were eventually acquired, with Shimizu himself attached to direct and Sarah Michelle Gellar starring. [ 4 ]
The Grudge (film series) (7 P) J. Ju-On characters (3 P) Ju-On films (9 P) Pages in category "Ju-On" The following 4 pages are in this category, out of 4 total.
The Grudge is an American supernatural horror film series released by Sony Pictures based on and a part of the larger Japanese Ju-On franchise. The first installment is a remake of Ju-On: The Grudge and follows a similar storyline to the Japanese film. [ 1 ]
Ju-On: The Grudge 2 is a 2003 Japanese horror film and a sequel to Ju-On: The Grudge. The film was written and directed by Takashi Shimizu. It was released in Japan on August 23, 2003. The series follows a curse created by a murdered housewife in a house in Nerima. The curse falls on anyone who enters the house where the murders took place.
Ju-On: The Grudge has been notable for receiving negative reception from critics. Based on 32 reviews, the game holds a Metacritic score of 39/100 [9] and 40% on GameRankings based on 27 reviews. [8] Weekly Famitsu rated Ju-On: The Grudge at a 22 out of 40 from four reviewers, a week before the game was released in Japan. [10]
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Shortly afterwards, Shimizu made his directorial debut with the supernatural horror, Ju-On: The Curse (2000), starring Takashi Matsuyama, Takako Fuji, Yūrei Yanagi and Chiaki Kuriyama in lead roles, followed by its sequel, Ju-On: The Curse 2. Despite the films releasing in direct-to-video formats, they were met with critical acclaim.