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Italo-Byzantine is a style term in art history, mostly used for medieval paintings produced in Italy under heavy influence from Byzantine art. [2] It initially covers religious paintings copying or imitating the standard Byzantine icon types, but painted by artists without a training in Byzantine techniques.
The crusader Kingdom of Cyprus outlived the Fall of Constantinople by a generation; the subsequent sale of the island to Venice led to a brief period of Italo-Byzantine painting. [1] In 1571 Cyprus fell to the Ottomans and the practice of ecclesiastic wall painting largely came to an end. [1]
Byzantine art comprises the body of artistic products of the Eastern Roman Empire, [1] as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of western Rome and lasted until the Fall of Constantinople in 1453, [2] the start date of the Byzantine period is rather clearer in art history than in political history, if still ...
Byzantine artisans were used in important projects throughout Italy, and what are called Italo-Byzantine styles of painting can be found up to the 14th century. Italo-Byzantine style initially covers religious paintings copying or imitating the standard Byzantine icon types, but painted by artists without a training in Byzantine techniques.
Madonna and child, c. 1230, tempera on wood, now at the Metropolitan Museum of Art. Berlinghiero also known as Berlinghiero Berlinghieri or Berlinghiero of Lucca (fl. 1228 – between 1236 and 1242), was an Italian painter in the Italo-Byzantine style of the early thirteenth century.
The Cambrai Madonna, also called the Notre-Dame de Grâce, produced around 1340, is a small Italo-Byzantine, possibly Sienese, [1] replica of an Eleusa (Virgin of Tenderness) icon. The work on which it is based is believed to have originated in Tuscany c. 1300 , and influenced a wide number of paintings from the following century as well as ...
Italo-Byzantine (or maniera greca) painting is a term for panel paintings produced in Italy, and Western Europe generally, under heavy influence from the icons of Byzantine art, whose many variations of the subject of the Madonna and Child were copied, though the full Byzantine technique and style was not.
Bonaventura painted several panels and wall-paintings at Lucca, in 1235 and 1244. He is most famous for an altarpiece dedicated to the life of Francis of Assisi. This altarpiece is painted in tempera on wood panel in the Italo-Byzantine or maniera greca style. It depicts the stigmata as well as several scenes from the saint's life.
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