Search results
Results from the WOW.Com Content Network
An' make the fire, an' bake the bread, an' earn her board-an'-keep; An' all us other children, when the supper-things is done, We set around the kitchen fire an' has the mostest fun A-list'nin' to the witch-tales 'at Annie tells about, An' the Gobble-uns 'at gits you Ef you Don't Watch Out! Wunst they wuz a little boy wouldn't say his prayers,--
In a Dark, Dark Room and Other Scary Stories is a collection of horror stories, poems and urban legends retold for children by Alvin Schwartz and illustrator Dirk Zimmer. It was published as part of the I Can Read! series in 1984. In 2017 the book was re-released with illustrations by Spanish freelance illustrator Victor Rivas. [1]
The poem is 720 lines long. It is considered to be one of the first of Shelley's major poems. Peacock suggested the name Alastor, which comes from Roman mythology. Peacock has defined Alastor as "evil genius". The name does not refer to the hero or Poet of the poem, however, but instead to the spirit who divinely animates the Poet's imagination.
The poem is recursive, ending where it begins, with the stanza "I can't go out no more. There's a man by the door in a raincoat" The poem also has ties to the Dark Tower epic. When King originally began writing The Stand, he wrote "A dark man with no face." This became the description for Randall Flagg and is an exact line from the poem.
The poem serves as an allegory about a king "in the olden time long ago" who is afraid of evil forces that threaten him and his palace, foreshadowing impending doom. As part of "The Fall of the House of Usher", Poe said, "I mean to imply a mind haunted by phantoms — a disordered brain" [1] referring to Roderick Usher.
Parry-Wingfield had been diagnosed around a year before Denman, telling the outlet it was a “scary, fast-moving situation.” “The whole point was to say to Jo, ‘You can do this ...
Mallard. When you think of ducks, the bird you picture is most likely a Mallard. This is because these ducks are seemingly everywhere, with populations spanning from South Africa to North America.
“Where the Sidewalk Ends”, the title poem and also Silverstein’s best known poem, encapsulates the core message of the collection. The reader is told that there is a hidden, mystical place "where the sidewalk ends", between the sidewalk and the street. The poem is divided into three stanzas. Although straying from a consistent metrical ...