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A pentatonic scale is a musical scale with five notes per octave, in contrast to heptatonic scales, which have seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations [ 2 ] and are still used in various musical styles to this day.
Diatonic scale with step size labelled Play ⓘ. In diatonic set theory, Rothenberg propriety is an important concept, lack of contradiction and ambiguity, in the general theory of musical scales which was introduced by David Rothenberg in a seminal series of papers in 1978.
The modern keyboard is designed for playing a diatonic scale on the white keys and a pentatonic scale on the black keys. Chromatic scales involve both. Chromatic scales involve both. Three immediately adjacent keys produce a basic chromatic tone cluster.
Several of these pitch sets interlocking could form a larger set such as a pentatonic scale (such as C–D–F–G–B ♭ –C').It was first coined by theorist Pyotr Sokalsky [] in his 1888 book Русская народная музыка ("Russian Folk Music") to explain the observed traits of the rural Russian folk music (especially from southern regions) that was just beginning to be ...
Other examples of scales are the octatonic scale and the pentatonic or five-tone scale, which is common in folk music and blues. Non-Western cultures often use scales that do not correspond with an equally divided twelve-tone division of the octave.
In the bass, scale degree 1 to scale degree 7 to scale degree 1 is common, as well as scale degree 1 to scale degree 5 to scale degree 1. [11] These three events imply a tonic function in the first event, a dominant function in the second event, and a tonic function again in the third event.
Example tritonic scale. [1] Play ⓘ. A tritonic scale is a musical scale or mode with three notes per octave.This is in contrast to a heptatonic (seven-note) scale such as the major scale and minor scale, or a dodecatonic (chromatic 12-note) scale, both common in modern Western music.
The Phrygian mode (pronounced / ˈ f r ɪ dʒ i ə n /) can refer to three different musical modes: the ancient Greek tonos or harmonia, sometimes called Phrygian, formed on a particular set of octave species or scales; the medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter.