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A pentatonic scale is a musical scale with five notes per octave, in contrast to heptatonic scales, which have seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations [ 2 ] and are still used in various musical styles to this day.
Diatonic scale with step size labelled Play ⓘ. In diatonic set theory, Rothenberg propriety is an important concept, lack of contradiction and ambiguity, in the general theory of musical scales which was introduced by David Rothenberg in a seminal series of papers in 1978.
The Phrygian mode (pronounced / ˈ f r ɪ dʒ i ə n /) can refer to three different musical modes: the ancient Greek tonos or harmonia, sometimes called Phrygian, formed on a particular set of octave species or scales; the medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter.
Blues harp. The Richter-tuned harmonica, 10-hole harmonica (in Asia) or blues harp (in America), is the most widely known type of harmonica.It is a variety of diatonic harmonica, with ten holes which offer the player 19 notes (10 holes times a draw and a blow for each hole minus one repeated note) in a three-octave range.
Such a division of a fourth necessarily produces a scale of the type called pentatonic, because compounding two such segments into an octave produces a scale with just five steps. This became an enharmonic tetrachord by the division of the semitone into two quarter tones (E, E↑, F, A). [20]
The modern keyboard is designed for playing a diatonic scale on the white keys and a pentatonic scale on the black keys. Chromatic scales involve both. Chromatic scales involve both. Three immediately adjacent keys produce a basic chromatic tone cluster.
Construction, Tuning and Care of the Piano-forte (1887) by Edward Quincy Norton; Regulation and Repair of Piano and Player Mechanism, Together with Tuning as Science and Art (1909) by William Braid White; Modern piano tuning and allied arts (1917) by William Braid White (1878–1959) Biddle, Horace Peters (1867). The Musical Scale. Oliver ...
In music, harmonization is the chordal accompaniment to a line or melody: "Using chords and melodies together, making harmony by stacking scale tones as triads". [2] A harmonized scale can be created by using each note of a musical scale as a root note for a chord and then by taking other tones within the scale building the rest of a chord. [3]