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American Stoneware is a type of stoneware pottery popular in 19th century North America. The predominant houseware of the era, [ citation needed ] it was usually covered in a salt glaze and often decorated using cobalt oxide to produce bright blue decoration.
Westerwald pottery, or Westerwald stoneware, is a distinctive type of salt glazed grey pottery from the Höhr-Grenzhausen and Ransbach-Baumbach area of Westerwaldkreis in Rheinland-Pfalz, Germany. Typically, Westerwald pottery is decorated with cobalt blue painted designs, although some later examples are white.
A crock is a pottery container sometimes used for food and water, synonymous with the word pot, and sometimes used for chemicals. Derivative terms include crockery and crock-pot . Crocks, or "preserving crocks", were used in household kitchens before refrigeration to hold and preserve foods such as butter, salted meats, and pickled vegetables.
Salt glazed pottery was also popular in North America from the early 17th century until the early 19th century, [13] indeed it was the dominant domestic pottery there during the 19th century. [14] Whilst its manufacture in America increased from the earliest dated production, the 1720s in Yorktown , significant amounts were imported from ...
Blue glazes were first developed by ancient Mesopotamians to imitate lapis lazuli, which was a highly prized stone. Later, a cobalt blue glaze became popular in Islamic pottery during the Abbasid Caliphate, during which time the cobalt was mined near Kashan, Oman, and Northern Hejaz. [4] [5]
There, they continued the German stoneware tradition of their home country, creating works with a salt-glaze, cobalt blue paint, and incised floral details, just as Commeraw would later create. Crolius's pottery kiln was less than a twenty-minute walk away from the slave market in New York City, providing Crolius with a potential source of ...
Stoneware jug celebrating the Eglinton Tournament of 1839. From 1808 porcelain, that is to say bone china, was produced, in a great profusion of patterns, for which many of the pattern books survive. The styles are typical for the period, with many flowers, landscapes, and some modified Neoclassical and Chinese (or "Anglo-oriental") treatments.
All these pieces received a clear seal coat of the Bristol glaze. Most of the Pottery's pieces bore some kind of identification, either a paper label or a stamp in the slip. Until 1971, all the clay used at the Pottery Works came from South Amboy, NJ, and the cobalt used for the blue slip decoration came from Germany.
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