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The Piano Sonata No. 17 in D minor, Op. 31, No. 2, was composed in 1801–02 [1] by Ludwig van Beethoven. The British music scholar Donald Francis Tovey says in A Companion to Beethoven's Pianoforte Sonatas : [ 2 ]
Ludwig van Beethoven wrote 32 mature piano sonatas between 1795 and 1822. (He also wrote 3 juvenile sonatas at the age of 13 [1] and one unfinished sonata, WoO. 51.)Although originally not intended to be a meaningful whole, as a set they comprise one of the most important collections of works in the history of music. [2]
Like Mozart's, Beethoven's musical talent was recognized at a young age, [3] and these three piano sonatas give an early glimpse of the composer's abilities, as well as his boldness. Beethoven was writing in a form usually attempted by older, more mature composers, [4] as the sonata was a cornerstone of Classical piano literature. Since they ...
Artur Schnabel, 1906. Austrian pianist Artur Schnabel was the first pianist to record all of Ludwig van Beethoven's 32 piano sonatas. [1] The recordings were made in Abbey Road Studios in London on a C. Bechstein grand piano [2] from 1932 to 1935, [3] [4] [5] seven years after electrical recording was invented. [4]
Ludwig van Beethoven composed his Natural Horn Sonata in F major, Op. 17 in 1800 for the virtuoso horn player Giovanni Punto. It was premiered with Punto as the soloist, accompanied on the piano by Beethoven himself in Vienna on April 18, 1800.
Piano Sonata No. 17 may refer to: Piano Sonata No. 17 (Beethoven) Piano Sonata No. 17 (Mozart) This page was last edited on 18 ...
A lecture by András Schiff on Beethoven's piano sonata Op. 28; Good informative site with plenty of detail on this sonata, as well as other sonatas; Online score, posted by Indiana University School of Music. Each score page is a 200 kB gif image. For a public domain recording of this sonata visit Musopen
Beethoven had already used the theme of the third movement in his Piano Sonata Op. 49 No. 2, which was an earlier work despite its higher opus number. The finale features a violin cadenza . The scoring of the Septet for a single clarinet, horn and bassoon (rather than for pairs of these wind instruments) was innovative.
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