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The Fender Princeton Reverb is a guitar amplifier combo, essentially a Princeton with built-in reverb and vibrato. The 12 Watt Blackface version was introduced in 1964 and available until 1967; in 1968 it was changed to the Silverface version with a drip edge around the grill cloth. Amps produced after the end of 1969 saw a change in circuitry ...
In 2013, Fender released the silverface '68 Custom amplifiers as a part of their Vintage Modified series, modeled after the original drip-edge silverfaced amps of 1968. Models included the Twin Reverb, Deluxe Reverb, Quad Reverb, and Princeton Reverb, and a Vibrolux Reverb was added to the line the following year. Each amp incorporates reverb ...
Fender Princetons (as well as their sister amp the Princeton Reverb) from the early models into the 1970s models are highly valued particularly as recording amplifiers. The first Princeton, the "Woody" (so called for its uncovered wooden cabinet), was the smallest of the original Fender line of three amplifiers, an incredibly basic 3-watt ...
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In common with all 'E' prefix tubes, using the Mullard–Philips tube designation, it has a heater voltage of 6.3V. It can produce 17W output in Class AB1 in push–pull configuration. Many guitar-amplifiers routinely run EL84 tubes in excess of 400VDC, with the Traynor Guitarmate reportedly putting out 25W RMS with 2 EL84s in a push–pull ...
The 7199 is a vacuum tube, combining a pentode and triode. [1] Typically, the pentode was used for the input stage, and the triode as a phase inverter. [2] The tube was used in a number of American guitar amplifiers; the Gibson Guitar Corporation, for instance, used the 7199 in 1961's Falcon for the reverb circuit. [3]
Military specification 6V6 tubes and their equivalents. American military services contracted tubes from many sources through the U.S. War Department. They used a Joint Army-Navy Nomenclature System (AN System. JAN) Most of these tubes bear the JAN marking as well as a VT number (VT = vacuum tube). 3106 - 6V6 tube made in East Germany.
Fender introduced the amplifier with a 5U4GB rectifier tube rather than the diode rectifier found in the previous Blackface Bandmaster. This resulted in the Bandmaster Reverb having reduced power over the standard model and increased sag and power amp break up. The revised circuit also places the gain stage within the reverb recovery circuit ...