Search results
Results from the WOW.Com Content Network
"La Fornarina (The Portrait of a Young Woman) is a painting by the Italian High Renaissance master Raphael, made between 1518 and 1519. It is an oil-on-panel with 86 x 58 cm dimensions, located in Room IX of the Borghese Gallery.In Olimpia Aldobrandini's two inventories (1626 and 1682), the art work is attributed to Raphael.
Traditionally attributed to the School of Raphael, the removal of 19th-century repainting and X-ray examination have shown that the hand, sleeves and chemise were later additions. [3] The most widely accepted hypothesis is that Giulio Romano painted the head, neck and bust after a design by Raphael, and that Raphael then added the hand and the ...
Margarita Luti (also Margherita Luti or La Fornarina, "the baker's daughter") was the mistress and model of Raphael. The story of their love has become "the archetypal artist–model relationship of Western tradition ", [ 4 ] yet little is known of her life.
English: The Portrait of a Young Woman (also known as La fornarina) is a painting by the Italian High Renaissance master Raphael, made between 1518 and 1519. Українська: Картина Рафаеля «Форнаріна».
Raphael and La Fornarina is an oil painting on canvas executed in 1813, in Italy, by Jean-Auguste-Dominique Ingres. [1] It is the first of five versions of the painting he produced between 1813 and his death in 1867. [2] In 1814 his first version was exhibited at the Salon of that year. [3]
It commemorates the three hundredth anniversary of the death of the Renaissance painter Raphael. [1] Raphael is shown in the Vatican loggias in the company of La Fornarina overlooking the city of Rome. [2] Its longer title is Rome, from the Vatican. Raffaelle, Accompanied by La Fornarina, Preparing his Pictures for the Decoration of the Loggia.
La velata, or La donna velata ("The woman with the veil"), is a well known portrait by the Italian Renaissance painter Raffaello Sanzio, more commonly known as Raphael.The subject of the painting appears in another portrait, La Fornarina, and is traditionally identified as the fornarina (bakeress) Margherita Luti, Raphael's Roman mistress.
A restoration of the painting in 1934–36 confirmed art historian Roberto Longhi's attribution of the work to Raphael, and the removal of heavy repainting revealed the unicorn, traditionally a symbol of chastity in medieval romance, in place of a Saint Catherine wheel. [1]