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Satin silk was the preferred fabric for embroidered fukusa, which often made extensive couched gold- and silver-wrapped thread. As paste-resist dyeing became popular, crepe silk (chirimen or kinsha) was favored. Tapestry-weave fabrics such as tsuzure-ori were also popular, as was the use of weft brocade (nishiki).
The most formal type of men's hakama, sendaihira hakama, are made of stiff, striped silk, usually black and white, or black and navy blue. These are worn with black montsuki kimono (kimono with one, three, or five family crests on the back, chest, and shoulders), white tabi (divided-toe socks), white nagajuban (under-kimono) and various types ...
A linen handkerchief A lace handkerchief Morris dancers with handkerchiefs in Oxford. A handkerchief (/ ˈ h æ Å‹ k É™r tʃ ɪ f /; also called a hankie or, historically, a handkercher or a fogle [1]) is a form of a kerchief or bandanna, typically a hemmed square of thin fabric which can be carried in the pocket or handbag for personal hygiene purposes such as wiping one's hands or face, or ...
A jetted pocket with flap on a lounge suit jacket. The jetted flap pocket is standard for hip pockets, with a small strip of fabric taping the top and bottom of the slit for the pocket. It has a lined flap of matching fabric covering the top of the pocket, sewn in along the seam of the jetting.
Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660. Hollywood, CA: Quite Specific Media Group, 2008, ISBN 0896762629. Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Ashelford, Jane.
The red silk thread used to bind the 2,291 jade plates represented Zhao Mo's immersion into local culture. It is exhibited in the local Museum of the Mausoleum of the Nanyue King. [7] In 1991, a jade burial suit was excavated from a group of monumental tombs of the King of Chu, Liu Wu, in Xuzhou. This magnificent, life-sized jade and gold ...
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