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A diagram of the "New Jerusalem" sacred geometry structure of quasi-mystical author John Michell. Color code: Grey The twelve moon-diameter circles ("pearls" or "gates"). Relative linear size 3. Green The basic earth-diameter circle (its circumference is tangent to the circumferences of the twelve circles). Relative linear size 11. Brown
According to Stephen Skinner, the study of sacred geometry has its roots in the study of nature, and the mathematical principles at work therein. [5] Many forms observed in nature can be related to geometry; for example, the chambered nautilus grows at a constant rate and so its shell forms a logarithmic spiral to accommodate that growth without changing shape.
This image is a derivative work of the following images: File:Religious_syms.svg licensed with PD-user . 2009-03-08T02:41:09Z Sertion 450x450 (48659 Bytes) Cleaner version. ...
An adapted unicursal hexagram is an important symbol in Thelema. In Aleister Crowley's Thelema, the hexagram is usually depicted with a five-petalled flower in the centre which symbolises the pentagram. The hexagram represents the heavenly macrocosmic or planetary forces and is a symbol equivalent to the Rosicrucian Rose Cross or ancient ...
The heptagram is used in the symbol for Babalon in Aleister Crowley's occult system Thelema. The heptagram is known among neopagans as the Elven Star or Fairy Star. It is treated as a sacred symbol in various modern pagan and witchcraft traditions. Blue Star Wicca also uses the symbol, where it is referred to as a septegram.
The Sri Yantra in diagrammatic form, showing how its nine interlocking triangles form a total of 43 smaller triangles. In the Shri Vidya school of Hindu tantra, the Sri Yantra ("sacred instrument"), also Sri Chakra is a diagram formed by nine interlocking triangles that surround and radiate out from the central point.
An overlapping circles grid is a geometric pattern of repeating, overlapping circles of an equal radius in two-dimensional space.Commonly, designs are based on circles centered on triangles (with the simple, two circle form named vesica piscis) or on the square lattice pattern of points.
In woodwork, especially in the Safavid period, it could be applied either as lattice frames, left plain or inset with panels such as of coloured glass; or as mosaic panels used to decorate walls and ceilings, whether sacred or secular. In architecture, girih forms decorative interlaced strapwork surfaces from the 15th century to the 20th century.