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Lyrical dance is competition dance style and is only used to describe a specific style of dance in the world of competitive dance. “Lyrical” is used to describe a quality or movement type in other dance settings, but not as a style name such as Jazz or Ballet. There has only been one instance of lyrical being used in a professional setting ...
This is a list of dance categories, different types, styles, or genres of dance. For older and more region-oriented vernacular dance styles, see List of ethnic, regional, and folk dances by origin .
Lyrical may refer to: Lyrics, or words in songs; Lyrical dance, a style of dancing; Emotional, expressing strong feelings; Lyric poetry, poetry that expresses a subjective, personal point of view; Lyric video, a music video in which the song's words are the main element
The origins of lyrical ballet lie in the Soviet ballroom dances, the Russian lyrical dance in particular. The Russian lyrical dance was a progressive dance based on Russian folk tunes with a soft and smooth character, danced at medium tempo, in 2/4 or 4/4 time. Today, the nomenclature 'Russian lyrical' has lost its relevance but the dance form ...
The Urdu ghazal makes use of two main rhymes: the radif and qaafiya. [9] The radif is a repeating refrain consisting of a single word or short phrase that ends every second line in the ghazal. [9] However, in the matla, the first she'r of a ghazal, the radif will end both lines of the she'r. [8] The qaafiya is a rhyming syllable that precedes ...
In 1977, the Board published the first edition of Urdu Lughat, a 22-volume comprehensive dictionary of the Urdu language. [2] The dictionary had 20,000 pages, including 220,000 words. [3] In 2009, Pakistani feminist poet Fahmida Riaz was appointed as the Chief Editor of the Board. [4] In 2010, the Board published one last edition Urdu Lughat. [3]
Thumri (Hindi: [ˈʈʰʊmɾiː]) is a vocal genre or style of Indian music. [1] [2] The term "thumri" is derived from the Hindi verb thumuknaa, which means "to walk with a dancing gait in such a way that the ankle-bells tinkle."
A second, contrasting melody, usually with higher notes, is introduced once before returning to the main melody. [citation needed] The tarana may include a Persian quatrain, and may use syllables from sitar or tabla such as "dar-dar" or "dir-dir"; singers might recite full compositions (e.g. tihais, gats, tukdas) [further explanation needed] within the body of the tarana.