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The tabernacle was a movable tent shrine created according to God's directions to hold the Ark of the Covenant, the sacred container of the Ten Commandments, God's words. In this painting, the Virgin Mary is the new Ark of the Covenant since she, like the Ark, contained the Word of God (Leith, 117).
The body of Christ forms the base upon which his spiritual body (in the form of the Sacrament) is contained and above which the Benediction is given. Wherever its first location was, the tabernacle was removed in 1677, taken apart and reassembled for use in the Neroni family chapel in the right transept.
Benjamin D. Sommer suggests that while the Holy of Holies in the tabernacle was reserved for God’s presence, the main room featured a metal menorah with six branches on each side, potentially echoing the asherah, a sacred tree or pole linked to the goddess Asherah. [12]
A ner tamid hanging over the ark in a synagogue. In Judaism, the sanctuary lamp is known as a Ner Tamid (Hebrew, “eternal flame” or “eternal light”), Hanging or standing in front of the ark in every Jewish synagogue, it is meant to represent the menorah of the Temple in Jerusalem, as well as the perpetual fire kept on the altar of burnt offerings before the Temple. [2]
The tabernacle at St Raphael's Cathedral in Dubuque, Iowa, placed on the old high altar of the cathedral (cf. General Instruction of the Roman Missal, 315, a). A tabernacle or a sacrament house is a fixed, locked box in which the Eucharist (consecrated communion hosts) is stored as part of the "reserved sacrament" rite.
The life of Christ as a narrative cycle in Christian art comprises a number of different subjects showing events from the life of Jesus on Earth. They are distinguished from the many other subjects in art showing the eternal life of Christ, such as Christ in Majesty , and also many types of portrait or devotional subjects without a narrative ...
His masterpiece is considered to be the 18.7 meters (61 feet) tall tabernacle at St. Lorenz, Nuremberg. The tabernacle, that has the shape of a gothic tower reaching into the church's vault, is made up of tracery interspersed with figural scenes from Christ's Passion and was commissioned in 1493 by Hans Imhoff, a patrician from Nuremberg.
Robert Campin's c. 1420s Mérode Altarpiece, (The Cloisters), with conventional iconography of a hearth and a vase of flowers. The Annunciation was a popular theme in European art, [3] although a difficult scene to paint, because it depicts Mary's union with Christ as she becomes the tabernacle for the Word made flesh.
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