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During the course of the ceremony, the girl enacts the part of Changing Woman (Asdzą́ą́ Nádleehé), [1] the powerful spirit woman responsible for fertility entering the world. The Kinaaldá ceremony includes the girl demonstrating endurance by ritualised running, each dawn over a period of several days, as well as a hair-combing ritual and ...
Women in Ancient Greece wore himations; and in Ancient Rome women wore the palla, a rectangular mantle, and the maphorion. [ 54 ] The typical feminine outfit of aristocratic women of the Renaissance was an undershirt with a gown and a high-waisted overgown, and a plucked forehead and beehive or turban-style hairdo.
A New Woman Reader, ed. Carolyn Christensen Nelson (Broadview Press: 2000) (ISBN 1-55111-295-7) (contains the text of Sydney Grundy's 1894 satirical comedy actually entitled The New Woman) Martha H. Patterson: Beyond the Gibson Girl: Reimagining the American New Woman, 1895–1915 (University of Illinois Press: 2005) (ISBN 0-252-03017-6)
Jung focused more on the man's anima and wrote less about the woman's animus. Jung believed that every woman has an analogous animus within her psyche, this being a set of unconscious masculine attributes and potentials. He viewed the animus as being more complex than the anima, postulating that women have a host of animus images whereas the ...
The term "rusalka" derives from "rusalija" (Church Slavonic: рѹсалиѩ, Old East Slavic: русалиꙗ, Bulgarian: русалия, Serbo-Croatian Cyrillic: русаље) which entered Slavic languages, via Byzantine Greek "rousália" (Medieval Greek: ῥουσάλια), [4] from the Latin "Rosālia" as a name for Pentecost and the days adjacent to it. [5]
They would say "He is a man (in body), he has changed to a woman (in dress and manner of life). But he is not a woman (in body). It is his spirit-power it is said that has told him, You become woman. You are always to wear your (woman's) dress just like women. That is the way you must always do." [25]
A banshee (/ ˈ b æ n ʃ iː / BAN-shee; Modern Irish bean sí, from Old Irish: ben síde [bʲen ˈʃiːðʲe], "woman of the fairy mound" or "fairy woman") is a female spirit in Irish folklore who heralds the death of a family member, [1] usually by screaming, wailing, shrieking, or keening.
Yuki-onna illustration from Sogi Shokoku Monogatari. Yuki-onna originates from folklores of olden times; in the Muromachi period Sōgi Shokoku Monogatari by the renga poet Sōgi, there is a statement on how he saw a yuki-onna when he was staying in Echigo Province (now Niigata Prefecture), indicating that the legends already existed in the Muromachi period.