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"Road Less Traveled" is a song recorded by American country music singer Lauren Alaina for her 2015 self-titled EP. Alaina co-wrote the song with Jesse Frasure and Meghan Trainor . It was released to country radio through Mercury Nashville and Interscope Records on June 27, 2016, as the EP's second single and officially impacted the format on ...
"The Road" was released on the 1988 album, Live: The Road, where it was the song recorded in the studio (and one of the two songs on the album never before released).). However, prior to the release of Live: The Road, "The Road" saw single release in Britain (but not A
"Take Me Home, Country Roads", or Country Roads, Take Me Home also known simply as "Country Roads", is a song written by Bill Danoff, Taffy Nivert and John Denver. It was released as a single performed by Denver on April 12, 1971, peaking at number two on Billboard ' s US Hot 100 singles for the week ending August 28, 1971.
"Free Ride" is a song written by Dan Hartman and performed by the Edgar Winter Group from their 1972 album They Only Come Out at Night, produced by Rick Derringer. The single was a top 15 U.S. hit in 1973, reaching number 14 on the Billboard Hot 100 [2] and number 10 on Cash Box. In Canada, it peaked at number 8. [3]
In 2020, The Guardian and GQ ranked the song number five and number three, respectively, on their lists of the 50 greatest Bob Dylan songs. [ 24 ] [ 25 ] Dylan played the Isle of Wight Festival 1969 , and "Desolation Row" was the name given to the hillside area used by the 600,000 ticketless fans at the 1970 event , before the fence was torn down.
The song is the official club song of Birmingham City F.C., adopted during the club's run to the 1955–56 FA Cup final. On a coach to Highbury for the quarter-final tie at Arsenal in March 1956, the players sang songs to ease the tension, and manager Arthur Turner asked Scottish winger Alex Govan for his choice; he started singing "Keep Right On", and the players were still singing on arrival ...
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"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being ...