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Mosaic "Sacrifice of Isaac" – Basilica of San Vitale (547 AD) The Sacrifice of Isaac by Caravaggio (1603), in the Baroque tenebrist manner The Binding of Isaac (Hebrew: עֲקֵידַת יִצְחַק , romanized: ʿAqēḏaṯ Yīṣḥaq), or simply "The Binding" (הָעֲקֵידָה , hāʿAqēḏā), is a story from chapter 22 of the Book of Genesis in the Hebrew Bible.
It contains three types of commentary: (1) the p'shat, which discusses the literal meaning of the text; this has been adapted from the first five volumes of the JPS Bible Commentary; (2) the d'rash, which draws on Talmudic, Medieval, Chassidic, and Modern Jewish sources to expound on the deeper meaning of the text; and (3) the halacha l'maaseh ...
A Commentary on the book of Genesis. From Adam to Noah. Translated from the Hebrew by Israel Abrahams. Volume 1 of 2 Volumes Jerusalem: Magnes Press, Hebrew University, 1961–1964 ISBN 978-965-223-480-3; Cassuto, Umberto. A Commentary on the book of Genesis. From Noah to Avraham. Translated from the Hebrew by Israel Abrahams.
The content of the fragments covers the curse on Canaan, the grandson of Noah from Genesis 9:24–25; the events leading up to the binding of Isaac in Gen. 22:5–7; the blessing of Judah from Gen. 49:8–12; a commentary on the 'two anointed ones' possibly from Zechariah 4:14 or perhaps part of the blessing on Judah in Gen 49:8–12; Jacob's ...
This is an outline of commentaries and commentators.Discussed are the salient points of Jewish, patristic, medieval, and modern commentaries on the Bible. The article includes discussion of the Targums, Mishna, and Talmuds, which are not regarded as Bible commentaries in the modern sense of the word, but which provide the foundation for later commentary.
Midrash also asks questions of the text; sometimes it provides answers, sometimes it leaves the reader to answer the questions". [4] Vanessa Lovelace defines midrash as "a Jewish mode of interpretation that not only engages the words of the text, behind the text, and beyond the text, but also focuses on each letter, and the words left unsaid by ...
Nechama Leibowitz was born to an Orthodox Jewish family in Riga two years after her elder brother, the philosopher Yeshayahu Leibowitz.The family moved to Berlin in 1919. In 1930, Leibowitz received a doctorate from the University of Marburg for her thesis, Techniques in the Translations of German-Jewish Biblical Translations.
The De opificio mundi (On the Creation of the Cosmos) is a treatise on the Genesis creation narrative, composed by the Jewish philosopher Philo of Alexandria some time between 30 and 40 AD. [1] It belongs to the Hexaemeral genre of literature, and is the first surviving example of it, though earlier, albeit lost Hexaemeral works, also existed.