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In Navajo culture, a skin-walker (Navajo: yee naaldlooshii) is a type of harmful witch who has the ability to turn into, possess, or disguise themselves as an animal. The term is never used for healers. The yee naaldlooshii, translating to "by means of it, it goes on all fours," is one of several types of skin-walkers within Navajo beliefs.
Witchcraft in the colonies was the alleged power one had to use supernatural abilities to influence people or events. [17] In these early times, witchcraft was used to explain events that otherwise could not be understood. [18] People were killed over these accusations when in reality they held no real merit at all.
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Navajo rugs are woven by Navajo women today from Navajo-Churro sheep or commercial wool. Designs can be pictorial or abstract, based on traditional Navajo, Spanish, Oriental, or Persian designs. 20th-century Navajo weavers include Clara Sherman and Hosteen Klah, who co-founded the Wheelwright Museum of the American Indian.
McKee's interest is the Navajo witches and the role they play in the culture. He learns of one on his first day of interviews, who unexpectedly visits his campsite in the night, beginning a saga of peril for him. Leaphorn has a murdered young man as his case, which intertwines with McKee's encounters with a true Navajo witch.
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Categorising a story as a myth does not necessarily imply that it is untrue. Religion and mythology differ, but have overlapping aspects. Many English speakers understand the terms "myth" and "mythology" to mean fictitious or imaginary.
It was produced as part of the PBS Mystery! series, filmed on the Navajo reservation and directed by Chris Eyre. The film was the highest rated program of 2002 on PBS. It is the first of three television films based on the same series of books, the other two being adaptations of A Thief of Time and Coyote Waits .