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Genjer-Genjer is an Osing language folk song from East Java, Indonesia, written and composed by musician Muhammad Arief.The song was written as a description of the condition of the people of Banyuwangi during the Japanese occupation period.
The lower or upper pitch of an interval may be sharp or flat, or both pitches of an interval.. If the lower pitch is sharp or the upper pitch is flat, the interval may be said to be flat given that as a whole it is too narrow; while if the lower pitch is flat or the upper pitch is sharp, the interval may be said to be sharp given that as a whole it is too wide.
"Lagu Cinta" (with Afgan & Rendy Pandugo) Nominated 2020 Best Progressive Production Works "Sikap Duniawi" Won [14] Best of the Best Album Lexicon: Nominated Best Pop Female Solo Artist "Untuk Hati yang Terluka." Nominated Best Pop Songwriting Nominated 2021 Best of the Best Production Works "Unlock the Key" Nominated [15]
Isyana Sarasvati was born on 2 May 1993 in Bandung, West Java.She spent part of her early childhood outside Indonesia because her parents worked and studied in Belgium. ...
Song structure is the arrangement of a song, [1] and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs.Common piece-level musical forms for vocal music include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues.
Musang Berjanggut (English: The Bearded Fox) is 1959 Singaporean Malay-language black-and-white period romantic comedy film directed by and starring P. Ramlee. [1] The story is in the style of a traditional Malay folktale, featuring supernatural elements and a story with an underlying moral.
The kacapi is a traditional zither of Sundanese people in Indonesia.This musical instrument is similar to Chinese guzheng, Japanese koto, the Mongolian yatga, the Korean gayageum, the Vietnamese đàn tranh and the Kazakh jetigen.
Lagu is a related term, which is used by Sumarsam and is sometimes translated as "inner melody." [ citation needed ] It can mean the multi-octave balungan , or a more implicit melody. There is no consensus on the use of either term, and they may be used differently by different writers or in different contexts.