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In May 1958, Peggy Lee recorded a cover version of "Fever" in Hollywood, which featured significantly rewritten lyrics composed by Lee herself without credit. [21] [22] The song was not included on Lee's album, Things Are Swingin', when it was first released in 1959; however it was listed as a bonus track on its 2004 reissue release. [21]
Lee created a new arrangement for the song, and added lyrics ("Romeo loved Juliet", "Captain Smith and Pocahontas"), which she neglected to copyright. Her new version of "Fever" was a hit, and was nominated in three categories at the First Annual Grammy Awards in 1959, including Record of the Year and Song of the Year .
The singles discography of American singer-songwriter Peggy Lee contains 157 singles, 18 promotional singles and eight other charted songs. Lee's first singles were in collaboration with Benny Goodman and His Orchestra, beginning 1941's "Elmer's Tune". Its follow-up, "I Got It Bad (And That Ain't Good)", was Lee's first to make the US chart ...
The album spawned the single "Fever," a cover version of the 1956 Little Willie John record which was covered by Peggy Lee and whose 1958 rendition became the most widely known version of "Fever" and the singer's signature song. A remix of the song, produced by L.E.X, reached number 4 on the US Billboard Dance Club Songs chart in 2006. [2]
Retrieved from "https://en.wikipedia.org/w/index.php?title=Fever_(Peggy_Lee_song)&oldid=841978466"
All Aglow Again! is a 1960 compilation album (see 1960 in music) by Peggy Lee, ... 1. "Fever" (Eddie Cooley, John Davenport) 2. "Where Do I Go from Here?"
[2] [3] Peggy Lee's 1958 recording (Capitol 45-19202) reached number 68 on the Billboard Hot 100 list. [4] It has since become a jazz standard, [5] which has been recorded by numerous artists. Paul McCartney can be heard singing some lyrics from it as he prepares to record a take of the song "You Never Give Me Your Money".
The verses of the song are spoken, rather than sung. Only the refrain of the song is sung. In most arrangements of the song, most notably in Peggy Lee's version, the music recalls the style of Kurt Weill, typified by songs such as "Alabama Song" and "Surabaya Johnny". [5] [unreliable source?]