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Flavian and Antonine hairstyles differed greatly between men and women in real life and in the physical appearance of hair for male and female sculptures. In ancient Rome hair was a major determinant of a woman's physical attractiveness; women preferred to be presented as young, and beautiful.
It seems that both Spartan men and women tied their hair in a knot over the crown of the head. [6] At a later time, the Spartans abandoned this ancient custom, and wore their hair short, and hence some writers erroneously attribute this practice to an earlier period.
In Ancient Egyptian society, hair was an embodiment of identity. It could carry religious and erotic significance and portray information about gender, age, and social status. [ 1 ] During the New Kingdom , more elaborate hairstyles for men and women, incorporating curls and plaits, began to be favored over the traditional, simple hairstyles of ...
In ancient civilizations, women's hair was often elaborately and carefully dressed in special ways. Women coloured their hair, curled it, and pinned it up (ponytail) in a variety of ways. For waves and curls, they used wet clay, which they dried in the sun before combing out, or they used a jelly made from quince seeds soaked in water.
The chignon can be traced back to ancient Greece, where Athenian women commonly wore the style with gold or ivory handcrafted hairpins. Athenian men wore the style as well, but they fastened their chignons with a clasp of "golden grasshoppers", according to The History of the Peloponnesian War, by Thucydides.
Since the early 5th century B.C., Ancient Greek and Roman art shows men and women with a characteristic melon coiffure, especially in the "Oriental Aphrodite" tradition, which may be confused with cornrows. [38] [39] [32] The traditional hairstyle of Roman Vestal Virgins, the sini crenes, also incorporates two braids that resemble cornrows. [40 ...
Antique nihongami katsura (wig) in a display case. The yuiwata hairstyle. Many hairstyles now labelled nihongami were developed during the Edo period, when a preference amongst women for long, flowing hairstyles transitioned towards more elaborate, upswept styles, featuring buns at the back of the neck and 'wings' at either side of the head.
Bust of an empress, possibly Vibia Sabina, wearing a stephane, c. AD 134 –147. A stephane (ancient Greek στέφανος, from στέφω (stéphō, “I encircle”), Lat. Stephanus = wreath, decorative wreath worn on the head; crown) was a decorative headband or circlet made of metal, often seen on depictions of high-status ancient Roman and Greek women, [1] [2] [3] as well as goddesses. [4]