Search results
Results from the WOW.Com Content Network
Melodic motion: ascending vs. descending X conjunct vs. disjunct. Melodic motion is the quality of movement of a melody, including nearness or farness of successive pitches or notes in a melody. This may be described as conjunct or disjunct, stepwise, skipwise or no movement, respectively. See also contrapuntal motion. In a conjunct melodic ...
A chorale melody containing only steps, no skips: "Jesu, Leiden, Pein, und Tod". Play ⓘ In music, a step, or conjunct motion, [1] is the difference in pitch between two consecutive notes of a musical scale. In other words, it is the interval between two consecutive scale degrees. Any larger interval is called a skip (also called a leap), or ...
A melody (from Greek μελῳδία (melōidía) 'singing, chanting'), [1] also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of pitch and rhythm , while more figuratively, the term can include other musical elements such as ...
a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4 ...
Streisand's "If I Love Again" is a ballad with a "wide range" and "disjunct melody", which was considered "unusual" for a pop song. [18] "I Got a Code in My Doze" was written by Rose and Arthur Fields while "(It's Gonna Be A) Great Day" is a "gospel-rock style" track whose melody was rewritten by Streisand to better suit her. [3] [19] [20]
Malena is a famous tango song from 1941 whose lyrics were written by Homero Manzi and music composed by Lucio Demare.It was performed for the first time by Lucio Demare’s orchestra in the Boite Novelty, sung by Juan Carlos Miranda.
The melody of the song is recorded, alongside its lyrics, in ancient Greek musical notation. While older music with notation exists (e.g. the Hurrian songs or the Delphic Hymns), all of it is in fragments; the Seikilos epitaph is unique in that it is a complete, though short, composition. [5]
The final track, "Blue 7", is a blues piece, over eleven minutes long. Its main, rather disjunct melody was spontaneously composed. The performance is among Rollins's most acclaimed, and is the subject of an article by Gunther Schuller entitled "Sonny Rollins and the Challenge of Thematic Improvisation". Schuller praises Rollins on "Blue 7" for ...