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Nashville Scene is an alternative newsweekly in Nashville, Tennessee. It was founded in 1989, became a part of Village Voice Media in 1999, and later joined the ranks of sixteen other publications after a merger of Village Voice Media with New Times Media early in 2006.
The Nashville Scene called Revelation "a searing, musically delightful portrait that includes everything that makes Piper & the Hard Times special. They come across as a contemporary group steeped in and fortified by the blues, yet easily able to incorporate elements of rock, jazz, soul, pop and gospel into their blend."
[6] The group signed in 1991 with Interscope Records after an attention-garnering performance at a Nashville Music Association function. [7] In the December 1991 issue of Music Row, Brian Mansfield speculated that it was "the biggest pop deal ever for a Nashville band (a reported $2 million plus for two albums)." [8]
Halestorm moves to Nashville. Fans think they're going country. The band ended up relocating to Nashville in 2013 for several reasons. The first being the band member's parents (who were all ...
Marcus K. Dowling, country music reporter for The Tennessean, presented the Country Music Association 2023 Media Achievement Award by K. Michelle and Jelly Roll on Monday, Nov. 6, 2023.
The $7.5 million country dance hall was developed by Opryland owner Gaylord Entertainment. Years of damage and reconstruction followed Wildhorse Saloon was one of the music venues hit the hardest ...
SouthComm Communications was a media company that owned a number of alternative newspapers and other news sources in the United States such as the Nashville Scene [1] and the Washington City Paper. [2] It was based in Nashville, Tennessee. In 2018, the trade magazines owned by SouthComm were sold to Endeavor Business Media.
The City Paper started with a daily circulation of about 40,000 copies and was delivered free of charge to homes in the Nashville Metropolitan area. Within a month, home delivery was cut back to paid subscribers and circulation was cut to 20,000. Initially, The City Paper projected a circulation of 90,000.