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The effect is to magnify the scale of the small house and make the facade appear to be monumental. The scale magnifying effects are not carried over to the sides and rear of the house, thus making the house appear to be both large and small from different angles. [17] The central chimney and staircase dominate the interior of the house.
The Max and Esther De Pree House is a two-story flat-roofed Modern house. The front facade of the house has two symmetrical structures: a single-car garage on one side, a study on the other. A covered walkway between the two leads to the house. The main body of the house is a rectangular structure containing two thousand square feet of space.
The house is divided into four quadrants, determined by a column grid, separating key living areas that are situated on the top floor and connect to the roof garden, the most easily accessible external area; [4] while the downstairs bedrooms subvert the traditional vertical organization of a residence, also clearly demonstrating the free plan. [18]
Postmodern architecture is a style or movement which emerged in the 1960s as a reaction against the austerity, formality, and lack of variety of modern architecture, particularly in the international style advocated by Philip Johnson and Henry-Russell Hitchcock. [1]
A façade or facade (/ f ə ˈ s ɑː d / ⓘ; [1]) is generally the front part or exterior of a building. It is a loanword from the French façade (pronounced), which means "frontage" or "face". In architecture, the façade of a building is often the most important aspect from a design standpoint, as it sets the tone for the rest of the building.
Rietveld Schröder House (1924), designed by Gerrit Rietveld. During the 20th century, Dutch architects like Berlage, Van Doesburg, Van Eesteren, Rietveld, Oud and Van der Vlugt played a leading role in the development of modern architecture in the Netherlands, as well as internationally.
The Zimmerman House was a low-slung, 2,770-square-foot (257 m 2), five-bedroom, three-bathroom house. According to the non-profit group USModernist, Martin and Eva Zimmerman commissioned the house in 1949. [4] The Zimmermans sold the property to Richard Kelton in 1968; it was sold again in 1975 to Sam and Hilda Rolfe for $205,000. [3]
James Waller III built a southern annex to the house in 1926; the annex's facade was designed in a similar style to the original house. [50] The southern extension included a kitchen on the first floor, three additional bedrooms on the top two floors, and porches on the first and second floors.
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