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Christ and the Woman Taken in Adultery (Rubens) Christ Appointing Saint Roch as Patron Saint of Plague Victims; Christ Giving the Keys to Saint Peter (Rubens) Christ on the Cross (Rubens) Christ Triumphant over Sin and Death (Rubens) The Circumcision (Rubens) The Conversion of Saint Bavo; The Conversion of Saint Paul (Rubens, Berlin)
Skilfully rendered, these paintings of nude women are thought by feminists to have been created to sexually appeal to his largely male audience of patrons, [45] although the female nude as an example of beauty has been a traditional motif in European art for centuries. Rubens was quite fond of painting full-figured women, giving rise to terms ...
While the other paintings were completed at Rubens's studio in Antwerp, The Felicity of the Regency of Marie de' Medici was designed and painted entirely by Rubens on the spot to replace another, far more controversial depiction of Marie's 1617 expulsion from Paris by her son Louis. Completed in 1625, this is the final painting in the cycle in ...
The women in the painting are thought to be Mary Magdalene and the Virgin Mary's two sisters. A kneeling woman holds a flower, referring to the lilies that miraculously filled the empty coffin. The Antwerp Cathedral of Our Lady opened a competition for an Assumption altar in 1611. Rubens submitted models to the clergy on 16 February 1611.
Pages in category "Paintings by Peter Paul Rubens in the Museo del Prado" The following 13 pages are in this category, out of 13 total. This list may not reflect recent changes .
Portraits by Peter Paul Rubens (1577−1640) — the Flemish Baroque painter Pages in category "Portraits by Peter Paul Rubens" ... Portrait of a Young Woman (Rubens)
The central figure is Bathsheba, a character from the Bible.She was the wife of Uriah the Hittite.The story, related in 2 Samuel 11 describes how King David, who is shown as a small figure on a balcony in the top left corner, saw Bathsheba bathing and fell in love with her.
Christ and the Woman Taken in Adultery is an oil on panel painting by Peter Paul Rubens, now in the Royal Museum of Fine Arts of Belgium, which bought it at Christie's in London on 13 May 1899 at the sale of the collection of Sir Cecil Miles, 3rd Baronet.