Search results
Results from the WOW.Com Content Network
The Taking of Christ (Italian: Presa di Cristo nell'orto or Cattura di Cristo) is a painting, of the arrest of Jesus, by the Italian Baroque master Michelangelo Merisi da Caravaggio. Originally commissioned by the Roman nobleman Ciriaco Mattei in 1602, it is housed in the National Gallery of Ireland , Dublin .
Christ after his Resurrection, with the ostentatio vulnerum, showing his wounds, Austria, c. 1500. The five wounds comprised 1) the nail hole in his right hand, 2) the nail hole in his left hand, 3) the nail hole in his right foot, 4) the nail hole in his left foot, 5) the wound to his torso from the piercing of the spear.
The various versions of the Man of Sorrows image all show a Christ with the wounds of the Crucifixion, including the spear-wound. Especially in Germany, Christ's eyes are usually open and look out at the viewer; in Italy the closed eyes of the Byzantine epitaphios image, originally intended to show a dead Christ, remained for longer. For some ...
British scientists using forensic anthropology, similar to how police solve crimes, have stitched together what they say is probably most accurate image of Jesus Christ's real face, and he's not ...
Head of Christ is a painting in oil on panel by the Italian Renaissance painter Antonio da Correggio, dated 1521. It depicts the head of Christ , wearing the crown of thorns . In the background there is a white cloth showing that the image represents the Veil of Veronica , but Christ's head is given volume through alternate use of light and ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 18 December 2024. Appearance of wounds corresponding to the crucifixion wounds of Jesus For other senses of this word, see Stigma and stigmata (disambiguation). Not to be confused with Stigmatism. Hands with stigmata, depicted on a Franciscan church in Lienz, Austria St Catherine fainting from the ...
Arma Christi ("weapons of Christ"), or the Instruments of the Passion, are the objects associated with the Passion of Jesus Christ in Christian symbolism and art. They are seen as arms in the sense of heraldry , and also as the weapons Christ used to achieve his conquest over Satan .
Image 3 Image 27. The Vaticinia Michaelis Nostradami de Futuri Christi Vicarii ad Cesarem Filium D. I. A. Interprete (The Prophecies of Michel Nostradamus on The Future Vicars of Christ to Cesar His Son, As Expounded by Lord Abbot Joachim), or Vaticinia Nostradami (The Prophecies of Nostradamus) for short, is a collection of eighty watercolor images compiled as an illustrated codex. [1]