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Physical Graffiti is the sixth album by the English rock band Led Zeppelin.Released as a double album on 24 February 1975 in the United States and on 28 February 1975 in the United Kingdom, [1] [2] it was the group's first album to be released under their new label, Swan Song Records.
The band's following albums, Houses of the Holy (1973) and Physical Graffiti (1975), continued the band's musical growth. [ 10 ] [ 11 ] Houses of the Holy contained a wider range of musical styles, from the ballad " The Rain Song " to the funk -inspired " The Crunge ", [ 12 ] while Physical Graffiti was a double album that contained new songs ...
Again a transatlantic chart-topper, it has received an 11 times multi-platinum certification from RIAA. In 1974, the band set up their own vanity label, Swan Song Records, which would release the rest of Led Zeppelin's studio albums. The first was the 1975 double album Physical Graffiti, which has received a 16 times platinum certification from ...
"Houses of the Holy" is a song by English rock band Led Zeppelin from their 1975 sixth album Physical Graffiti. The name of the song was used as the title of the band's fifth album, although it was not included on that album; they decided the song did not fit well with the other album material, so it was moved to the subsequent release.
The discs are physically paired together in double-disc booklets and arranged in chronological order, with the exception of Presence (placed between Houses of the Holy and Physical Graffiti) being paired with Houses of the Holy in order to keep the two discs of Physical Graffiti together in the same case. [3] Four bonus tracks were added to the ...
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It was ultimately left off the album, as there were enough tracks to fill two sides of an LP, and was released on the follow-up, Physical Graffiti in 1975. [20] That album also included two songs from Houses of the Holy's Stargroves sessions, "The Rover" and "Black Country Woman" (the latter recorded in the outdoor garden). [10]
The song was written as an acoustic piece by Jimmy Page and Robert Plant at Bron-Yr-Aur, the cottage in Wales where they went after their 1970 concert tours of North America. [ 3 ] [ 4 ] It was recorded in 1971 as an electric arrangement, intended for release on Led Zeppelin IV , but was held over and eventually placed on Physical Graffiti to ...